A Quote by Megyn Kelly

Print reporters have the opportunity to go so much more in depth in certain stories than television reporters do because they're working on stories for months at a time.
My guess is more reporters probably vote Democrat than Republican - just because I think reporters are smart.
The kind of in-depth investigative journalism we practice at 'Frontline' is thoughtful, rigorous, and time-intensive. It requires us to constantly seek untold stories and to give our producers and reporters the time and resources to dig into them deeply.
The news is fake because so much of the news is fake. So one thing that I felt it was very important to do - and I hope we can correct it. Because there's nobody I have more respect for - well, maybe a little bit but the reporters, good reporters.
The Huffington Post Investigative Fund's goal is to produce a broad range of investigative journalism created by both staff reporters and freelance writers, with a focus on working with the many experienced reporters and writers impacted by the economic contraction. The pieces will range from long-form investigations to short breaking news stories and will be presented in a variety of media - including text, audio, and video.
Reporters are not paid to operate in retrospect. Because when news begins to solidify into current events and finally harden intohistory, it is the stories we didn't write, the questions we didn't ask that prove far, far more damaging than the ones we did.
Right-wing media and politicians are looking for any opportunity to be critical of the reporters who are here. Some reporters make judgments, but that is not my style. I present both sides and report what I see with my own eyes.
What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
I had an idea in the beginning to do a book about some of the events that I had covered, just various stories that I've covered. Reporters spend a lot of time telling each other tales about how they covered stories, and that's what this book started out to be.
You know, most reporters can't go back to the towns they wrote stories about. I never wrote that kind of story.
You can't stop suffering, you can't stop terrible things from happening, but you can bear witness... The least us reporters can do is go there and tell their stories.
We're not seeing, you know, dozens of reporters being beaten up. And there may be more attention to it than there has been in the past. But it is important to recognize that the democracy depends on reporters asking people in power questions, so that the general public has information. We can't really self-govern unless information is widespread. And, sometimes, reporters have to be a little aggressive. I mean, you know, the reporter didn't beat up the politician. The politician beat up the reporter.
I always saw the best reporters as ones you hardly ever saw other than when they were back in the newsroom, writing their stories.
War reporters are often seen as a wild bunch of thrill-seekers who wade into danger zones simply for the sake of the adrenalin high the settings inevitably provide. But this one-dimensional explanation leaves out the core of the story, which is that reporters go to these places because they feel the tug of responsibility.
The global embrace of the Chilean miners had as much to do with the state of the planet as it did the fate of the trapped men. Every year, thousands of miners are trapped and die. Hundreds more are rescued. The world's press has no shortage of global good-news stories. Heroes abound if reporters and editors take the time to search.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
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