A Quote by Megyn Price

A lot of people assume that once you're working in Hollywood you become some sort of glamour-diva, which could not be further from the truth about me. — © Megyn Price
A lot of people assume that once you're working in Hollywood you become some sort of glamour-diva, which could not be further from the truth about me.
I am strong-willed, which can be annoying sometimes. And from that I think people assume I have confidence and Hollywood glamour and all that stuff, when actually, in my personal life, sometimes I'm just a goofball.
I left acting school really hoping that I could be on a television show of some sort, working in movies in Hollywood.
Once I realized the emptiness of life apart from knowing God, when I embraced God and the truth of the gospel and the truth of the Bible, it was a no-brainer decision to see that that was a treasure that was infinitely more valuable than some sort of an atheistic Hollywood party life.
Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.
When you're a father in a marriage, you sort of become the mother's assistant, and you sort of get a list from her every day, and you do, you know, you run down the list, and it feels very much like a chore. And a lot of fathers live in kind of an avoidance. They sit on the toilet for several hours a day... Oh, honey, it took me 40 minutes to go to the post office... But once you become a dad without the mom there, you have to take it all on, and you sort of activate male skills that you didn't know you could apply to fatherhood.
Long before "American Idol" people used to call me a diva. And I be like, "Hold on, are you calling me something else on the sly? You gonna call me a diva, call me a good diva."
Long before 'American Idol', people used to call me a diva. And I be like, 'Hold on, are you calling me something else on the sly? You gonna call me a diva, call me a good diva.'
I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
People ask me about staying here. I think they assume that I wouldn't want to come back to a place like Mississippi, which is so backward and which frustrates me a lot. The responsibility that I feel to tell these stories about the people and the place that I'm from is what pulls me back.
If a hundred people want autographs, sometimes you have to say no because you've got to get up for a 4 A.M. flight or something. In that sense, it really pisses me off when people think you've become a diva. It's not becoming a diva, it's because of the situation, I think.
I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
A lot of times you see really good-looking guys on TV and you sort of assume that maybe there's some sort of vacuity behind them.
I'm totally Italian, but I'm not a diva. If you could see the way I'm dressed in daily life, that's not a diva. Appearances are so not important to me.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.
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