A Quote by Megyn Price
Sitcoms are designed for normal people who just want to turn on their TV and get a laugh. It's not high-brow, you don't have to work so hard, and it's meant to be a relatable genre. That's why I love it so much - my fans are from 8 years old to 80 years old, because everybody can relate to what's funny.
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It's so hard to look at someone doing a triple cork when you're 7 years old, and them saying, 'I want to go do that.' It's not really relatable at all. So, if I can somehow make it so kids want to get into snowboarding, that's special.
I think that's why I play tennis, because of the challenge, because of the competition, .. That's why we love to play tiebreaker in the third set. It makes it more exciting, and the bigger support in the stand, and more fans involved in it. I really enjoyed the competition and took a lot of hard work to make myself No. 1 at 18 years old.
I still come out to music that's in Spanish. There's no denying who I am, but I've just made it to where my performance is so anybody can understand it - whether you're 10 years old or 80 years old.
I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
As kids, we say stupid things, and because there's not a record of it, nobody is going to give you a hard time at 30 years old about something you said or did when you were 8 years old. Online, you have all these social networks that are moving to a state of persistent identity, and in turn, we're sacrificing the ability to be youthful.
I was six years old watching wrestling on TV. I was eight years old watching Ultimate Warrior run to the ring at WrestleMania. I was eighteen years old starting out on a journey in the U.K. wanting to be a professional wrestler.
Everybody has their opinion on what's 'real,' and what's they choose to listen to and their personal preference. Whether they're 2 years old or 200 years old. And people can listen to whatever they want.
The Millennials graduated into the worst jobs market in 80 years. That did not just mean a few years of high unemployment, or a couple years living in their parents' basements. It meant a full decade of lost wages.
I constantly work with material that could be two years old, five years old, ten years old, as well as new things.
I want Pucci woman to be a Pucci girl. That's number one, because I think she should have that vibe that corresponds with today. Emilio Pucci - the house is, I think, 63 years old now. It's an old house. The Pucci woman from the beginning would be 80 years old or something today, so I've kind of had to update her.
I love it when a woman hugs me. I love it when they say that I make them laugh because that means I'm doing what God called me to do. I love people. I love it when little old ladies come up and want to kiss me. It means so much to me that I get support and people know my heart. My fans know my heart and they get it.
I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
More than anything, I wanted to make sure that everybody was a pusher of difference. And they had to be able to do it in a communicative way, not esoterically. Because there are a lot of people who push things forward but sometimes only you and two people out of 500 in the room get it, but you want somebody who has mastered their craft so well that an 8-year-old gets it just like an 80-year-old gets it. They get the same visceral feeling.
I love sitcoms, and I grew up on sitcoms. That's my tasty junk food. So I wanted to create a sitcom and have some really quirky characters, because most of the stuff they make now is just so marginalized. How interesting is a white guy who's 28 years old and lives in New York? What story have we not seen about a character like that? Just as a writer, it's so much easier to come up with comedy when you have a really oppressed Indian boy. Or a mother who is an addict but still has to take care of her kids.
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