A Quote by Mehbooba Mufti

You cannot imprison an idea. You have to fight it with a better idea. — © Mehbooba Mufti
You cannot imprison an idea. You have to fight it with a better idea.
It is much better to have just one idea, and if the idea is clear, then you can fight for it. That is how you can get things done.
You can imprison a man, but not an idea. You can exile a man, but not an idea. You can kill a man, but not an idea.
Ideas are nothing. They're irrelevant. If you think your idea is so important, you're doomed. The reality is if you don't like one idea, I've got 299 more. If I tell you my idea, and you can execute better against that idea than I can - great; I get to play a terrific game.
All of our days are numbered. We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of an idea never becomes apparent until you do it.
You talk of our having an idea; we do not have an idea. The idea has us, and martyrs us, and scourges us, and drives us into the arena to fight and die for it, whether we want to or not.
The idea of being productive, the idea of producing many books is going to lead you toward you becoming a better and better writer.
ISIS is an idea. And we have to fight this idea with the same tools that they're using.
Amazon thrived because it implemented the online bookstore idea better than any of its early rivals did, not because it was the only company to have the idea or the first company to have the idea. It continues to grow only because it keeps trying to improve on the details of the idea and the way it puts it into practise.
In five rounds, the guy who is better prepared is going to win the fight, so I like the idea of a five-round fight.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
In every idea of genius or in every new human idea, or, more simply still, in every serious human idea born in anyone's brain, there is something that cannot possibly be conveyed to others.
Take up one idea. Make that one idea your life - think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success.
You cannot put a rope around the neck of an idea: you can not put an idea up against a barracks-square wall and riddle it with bullets: you cannot confine it in the strongest prison cell that your slaves could ever build.
We cannot afford to be idle. To act on a bad idea is better than to not act at all. Because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand, and pray will not be extinguished by all the storm that howls about it. If you could hold onto that flame, great things could construct around it, that are massive and powerful and world changing, all held up by the tiniest of ideas.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
The operative assumption today is that someone, somewhere, has a better idea; and the operative compulsion is to find out who has that better idea, learn it, and put it into action-fast.
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