A Quote by Mehmet Murat Ildan

Obscure shadows on the mind are much scarier than the dark shadows of the night. — © Mehmet Murat Ildan
Obscure shadows on the mind are much scarier than the dark shadows of the night.
Many places in the Bronx seem hidden in shadows, just as the Bronx itself is in Manhattan's shadow. And dark stories develop best in dark shadows.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
The shadows in the early morning don't tell much. The shadows rest at that time. So it's useless to gaze very early in the day. Around six in the morning the shadows wake up, and they are best around five in the afternoon. Then they are fully awake.
Below us the Thames grew lighter, and all around below were the shadows - the dark shadows of buildings and bridges that formed the base of this dreadful masterpiece.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
They stared out their window at night enough to know where the darkest shadows lay, and it was to the darkest shadows they kept.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
Now the Fates are here on the beach, three shadows blacker than black, walking through the dunes and looking for their own. Just shadows, lamb-white hands beneath black robes spun of tears, glide among the celebrants on this night wherein the spirits of Thebes have found a home, if serendipitously.
I got a statistic for you right now. Grab your pencil, Doug. There are five billion trees in the world. I looked it up. Under every tree is a shadow, right? So, then, what makes night? I'll tell you: shadows crawling out from under five billion trees! Think of it! Shadows running around in the air, muddying the waters you might say. If only we could figure a way to keep those darn five billion shadows under those trees, we could stay up half the night, Doug, because there'd be no night!
No matter how dark the night, somehow the sun rises once again and all shadows are chased away.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in halls of stone, Nine for Mortal Men, doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In the Land of Mordor where the Shadows lie.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
Many men spend their lives in gazing at their own shadows, and so dwindle away into shadows thereof.
Don't make friends with shadows; because shadows cannot smile!
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