A Quote by Mehmet Murat Ildan

Man is a marble piece; unlike Michelangelo's masterpieces, man is unconsciously carved and imperfectly shaped by the nature — © Mehmet Murat Ildan
Man is a marble piece; unlike Michelangelo's masterpieces, man is unconsciously carved and imperfectly shaped by the nature
Master Michelangelo once said that 'I saw the angel in the marble and carved until I set him free.' This is what we must do when we see an ignorant man: To set him free from the black marble we call ignorance!
Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.
How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
If it falls your lot to be a street sweeper, sweep streets as Raphael painted pictures, sweep streets as Michelangelo carved marble, sweep streets as Beethoven composed music, or Shakespeare wrote poetry.
Careless of books, yet having felt the power Of Nature, by the gentle agency Of natural objects, led me on to feel For passions that were not my own, and think (At random and imperfectly indeed) On man, the heart of man, and human life.
Guido the plumber and Michelangelo obtained their marble from the same quarry, but what each saw in the marble made the difference between a nobleman's sink and a brilliant sculpture.
The depravity which sin has produced in human nature extends to the whole of it. There is no part of man's nature which is unaffected by it. Man's nature is all of a piece, and what affects it at all affects it altogether
Nature is man's inorganic body -- that is to say, nature insofar as it is not the human body. Man lives from nature -- i.e., nature is his body -- and he must maintain a continuing dialogue with it is he is not to die. To say that man's physical and mental life is linked to nature simply means that nature is linked to itself, for man is a part of nature.
The man who really counts in the world is the doer, not the mere critic -- the man who actually does the work, even if roughly and imperfectly, not the man who only talks or writes about how it ought to be done.
Your work is carved out of agony as a statue is carved out of marble.
Let me just say that, if you ever have the choice of putting your words in powerpoint or having them carved into 30-foot high marble, I'd say go for the marble.
Man is completely out of phase with nature. Nature is woman. Man is the intruder. The man who re-attunes himself with nature is the man who de-mans himself or eliminates himself as man.
Michelangelo worked from within. He described not the excitements of touching or seeing a man but the excitement of being Man.
Michelangelo indeed could have carved out your features.
Every human being has within him an ideal man, just as every piece of marble contains in a rough state a statue as beautiful as the one that Praxiteles the Greek made of the god Apollo.
The marble keeps merely a cold and sad memory of a man who would else be forgotten. No man who needs a monument ever ought to have one.
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