A Quote by Mehmet Murat Ildan

A bad book with a good cover is nothing but a wooden house with a golden door. — © Mehmet Murat Ildan
A bad book with a good cover is nothing but a wooden house with a golden door.
Intelligence and courtesy not always are combined; Often in a wooden house a golden room we find.
A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
Here is the door of my mom's house, well-remembered childhood portal. Here is the yard, and a set of wires that runs from the house to a wooden pole, and some fat birds sitting together on the wires, five of them lined up like beads on an abacus.
Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm.
I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
A book is like a door. You walk through the cover and you don't know what you're going to find.
Only bad books have good endings. If a book is any good, it's ending is always bad - because you don't want the book to end.
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.
Let the trumpet of the day of judgment sound when it will, I shall appear with this book in my hand before the Sovereign Judge, and cry with a loud voice, This is my work, there were my thoughts, and thus was I. I have freely told both the good and the bad, have hid nothing wicked, added nothing good.
They reached the carriage house. When she turned the knob, he got all critical again. “Why isn’t this door locked?” “It’s Parrish. There’s not much point.” “We have crime here, just as any other place does. Keep this door locked from now on.” “Like that’s going to stop you. All you’d have to do is give it one good kick, and – “ “Not from me, you ninny!” “I hate to be the one to break the bad news, but if they find my body, you’re the one with the biggest grudge.” “It’s impossible to hold a rational conversation with you.
You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.
Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.
A bad book and good marketing won't work, the same way a good book and bad marketing will also not work. There is no choice in the matter that if you need to write a good book, you also need to have good marketing for it.
There is nothing training cannot do. Nothing is above its reach. It can turn bad morals to good; it can destroy bad principles and recreate good ones; it can lift men to angelship.
Most athletes, we're the good ol' boys, part of the good-ol'-boy fraternity, and we take care of our brothers, and we cover up the bad habit and the bad play.
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