A Quote by Mehmet Murat Ildan

Disasters have no mercy hours where they stop visiting the people; for them, all hours are favourite and legitimate to visit! — © Mehmet Murat Ildan
Disasters have no mercy hours where they stop visiting the people; for them, all hours are favourite and legitimate to visit!
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
I was always the 'boring' type. I was into the stats and spending hours and hours and hours studying them. I was always more a manager than a player.
Warwick Castle, built of the very centuries, cannot be expected to alter with time's 'brief hours and weeks' - at least, with so few of them as fall to one poor mortal's lot. From visit to visit, I find it as unchanged as the multiplication table.
Life has changed since my kids. I love visiting gaming parlors and playing with them for hours on end.
I've worked with some people that just spent hours and hours and hours in the mirror, and just so much importance is based on that. And I do find that sad.
Wagner always opens you a second breath, and then you go on, and you are absolutely into his musical world, and you can't stop, and you can listen for four hours, five hours, six hours, and then you are like in his mystical hands of his music. He's such a great poet of music.
Just having walked into a prison environment, sat there for two hours, the effect that it had on me. ... I couldn't imagine the effect it would have on a person 24 hours a day. So then I became more intrigued, and we began a correspondence, and I began visiting [Todd Willingham].
There's people who can, like, dive into material for hours and hours and hours and work on one tiny little specific thing without getting bored of it. Learning how to do that was, like, very useful.
As an athlete, I'd average four hours a day. It doesn't sound like a lot when some people say they're training for 10 hours, but theirs includes lunch, massage and breaks. My four hours was packed with work.
We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft.
I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that's what I do as a writer.
He spent hours and hours and hours practising these conjuring tricks. It's just such a curious thing.
To be the best, you need to spend hours and hours and hours running, hitting the speed bag, lifting weights and focusing on training.
For an impression, I just find that I can do a lot of the people I love without much research, because I've already watched hours and hours of them on video and it seeped into my brain while I wasn't thinking about it.
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