A Quote by Mehmet Murat Ildan

Magic of the shadows can best be seen in the deserts. — © Mehmet Murat Ildan
Magic of the shadows can best be seen in the deserts.

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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
The shadows in the early morning don't tell much. The shadows rest at that time. So it's useless to gaze very early in the day. Around six in the morning the shadows wake up, and they are best around five in the afternoon. Then they are fully awake.
I have seen what the days of tribulation can do to people. I have seen hunger stalk the streets of Europe. I have witnessed the appalling, emaciated shadows of human figures. I have seen women and children scavenge army garbage dumps for scraps of food. Those scenes and nameless faces cannot be erased from my memory.
Yet magic is no more than the art of employing consciously invisible means to produce visible effects. Will, love and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
Donald Trump has no credibility to criticize me or my record or anything that I have done. If he had spent a minute in the deserts of Afghanistan or in the deserts of Iraq, I might listen to what he has to say.
There are shadows for the shadows of things, as a reflection seen in a mirror of a mirror. We know there are circles within circles and dimensions beyond dimension. Reality is itself a shadow, only an appearance accepted by those whose eyes shun what might lie beyond.
Many places in the Bronx seem hidden in shadows, just as the Bronx itself is in Manhattan's shadow. And dark stories develop best in dark shadows.
I haven't seen 'Magic Mike' yet, and neither has Dani. Or maybe she has seen it, and I just don't know!
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
Everything I do is alchemy. That's why I believe in magic. Not black magic, not the satanic magic that they practice in Hollywood and that the deep state practices and that the media practice. I believe in good magic, light magic, alchametic magic.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
I have never seen such a perfectly formed animal. Beautiful and graceful like a gazelle, he burned hot and wild with the deserts of Egypt in his soul.
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