A Quote by Mehmet Murat Ildan

Those waters which leave the main stream either cannot reach the sea and disappear in inland or find a better place, a beautiful lake. — © Mehmet Murat Ildan
Those waters which leave the main stream either cannot reach the sea and disappear in inland or find a better place, a beautiful lake.
The future is always fairyland to the young. Life is like a beautiful and winding lane, on either side bright flowers, and beautiful butterflies and tempting fruits, which we scarcely pause to admire and to taste, so eager are we to hasten to an opening which we imagine will be more beautiful still. But by degrees, as we advance, the trees grow bleak; the flowers and butterflies fail, the fruits disappear, and we find we have arrived--to reach a desert waste.
Most mystics do not want to read religious wisdom; they want to be it. A postcard of a beautiful lake is not a beautiful lake, and Sufis may be defined as those who dance in the lake.
A substitute shines brightly as a king Until a king be by, and then his state Empties itself, as dot an inland brook Into the main of waters.
Administration policies seem to tacitly encourage those who live below sea level in New Orleans to relocate permanently, to leave the dangerous water's edge for more prosperous inland cities such as Shreveport or Baton Rouge.
I lived for two years in Odawara, a castle town an hour outside of Tokyo, near the sea. It's a beautiful place, and I drew on my experiences there when writing 'The Lake of Dreams.'
When the waters of a lake are absolutely still, the lake reflects the trees, the sky, and everything around it perfectly. At the slightest breeze, with the smallest ripple in the waters, the lake reflects nothing but itself. To see another with clarity and objectivity, one first must master stillness. The slightest breeze of judgment or interpretation from the rational mind will create a ripple that shatters Awareness and returns us to ordinary perception.
You cannot describe it or draw it. You cannot praise it enough or perceive it. No place can be found in which to put the Original Face; it will not disappear even when the universe is destroyed.
once upon a time all the rivers combined to protest against the action of the sea in making their waters salt. "When we come to you," sad they to the sea, "we are sweet and drinkable; but when once we have mingled with you, our waters become as briny and unpalatable as your own." The sea replied shortly, "Keep away from me, and you'll remain sweet.
Though inland far we be, Our souls have sight of that immortal sea Which brought us hither.
Poem for Liu Ya-tzu I cannot forget how in Canton we drank tea and in Chungking went over our poems when leaves were yellowing. Thirty-one years ago and now we come back at last to the ancient capital Peking. In this season of falling flowers I read your beautiful poems. Be careful not to be torn inside. Open your vision to the world. Don't say that waters of Kumming Lake are too shallow. We can watch fish better here than in the Fuchun River in the south.
Lately we have been getting facts pointing to the "oceanic" nature of the floor of so-called inland seas. Through geological investigations it has been definitely established that in its deepest places, for instance, the Caribbean Sea and the Gulf of Mexico, the Earth's crust is devoid of granite stratum. The same may be said quite confidently about the Mediterranean and the Black Sea. Could the interpretation of these data be that inland seas were the primary stage of the formation of oceanic basins?
Gaia's main problems are not industrialization, ozone depletion, overpopulation, or resource depletion. Gaia's main problem is the lack of mutual understanding and mutual agreement in the noosphere about how to proceed with those problems. We cannot rein in industry if we cannot reach mutual understanding and mutual agreement based on a worldcentric moral perspective concerning the global commons. And we reach the worldcentric moral perspective through a difficult and laborious process of interior growth and transcendence.
Are we prepared to leave our comfort zones to reach a better place?
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.
We like to put sacred texts in flowing waters, so I rolled it up, tied it to a piece of wood, placed a dandelion on top, and floated it in the stream which flows into the Swat River. Surely God would find it there.
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