A Quote by Mehmet Murat Ildan
There is always something sad about the trams, may be because they are like our lives: They appear from nothingness and disappear in the horizon of the crowds.
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What if we're all like that? Like ghosts ... in someone's mind ... gradually fading ... fading ... until finally ... one day ... we just disappear ... drift into nothingness. Wouldn't that be sad?
I have now lived long enough to know that, whatever our situation, our troubles melt and disappear like frost in the morning sun when we dwell upon our blessings rather than our disappointments. No matter how pessimistic one's view may become of the times and the seasons, we can always fall back on special friendship, on faithful, personal love, and on simple, true dealings in our own personal lives.
Whatever your problem is, if you may think it rightly, the solution will appear on the horizon like a shining sun!
He had never felt anything like that before - yet somehow he knew that from now on he would always feel like that, always, and something caught at his throat as he realized what a strange sad adventure life might get to be, strange and sad and still much more beautiful and amazing than he could ever have imagined because it was so really, strangely sad.
It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
I like the sort of 'nothingness' of the jeans and the T-shirt. I feel that's about as close as I can get to the future because it seems like something so old that will always be, so I feel it's a safe bet for the future.
The worst of being a Communist is the parties you may go to are - well - awfully funny and touching but not very gay...I don't see the point of sad parties, do you? And Left-wing people are always sad because they mind dreadfully about their causes, and the causes are always going so badly.
[My work] includes something about death, and about love, because the photos always have something to do with death. The photograph is like taxidermy. It is like the animals I use. They are posed in order to appear to be alive, but they are dead. Their time has passed. The photos have to do with time and loss, and conclusion.
There is the liability of accepting prematurely an artificial horizon for our own character and personality, of losing the horizon of the possible person we might be. It is the danger of considering our character as something static, rather than as something emerging.
There's always something that I will always find to do, because I just enjoy working so much. There's always something on the horizon; it really comes down to scheduling and making it all happen.
I have tried very hard to find meaning in what I do, but I have found instead a vast and limitless nothingness. I tried to embrace the nothingness, but it slipped through my grasp, and now there is nothing where the nothingness was. This may sound meaningful, but it isn't.
We all have a suspicion and hope that we've just been part of something special, something that may eventually change our lives. That no one else knows this makes it seem like we are living with a secret that we would like to share, but can't, sort of like having a superpower that's not come online or being president elect. For the moment, our lives proceed as usual, but within a month, we think, everything will change. It's a frustrating, if exciting, disconnect.
Man is a moral being, only because he lives in society. Let all social life disappear and morality will disappear with it.
I don't think it's a sad thing for a woman to not be in a relationship if she doesn't want to be. I feel like nobody looks at men who aren't in relationships and like, I don't know. It seems to be something looking at women like oh that's sad. But you have to look at what they want out of their lives.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
It is this nothingness (in solitude) that I have to face in my solitude, a nothingness so dreadful that everything in me wants to run to my friends, my work, and my distractions so that I can forget my nothingness and make myself believe that I am worth something. The task is to persevere in my solitude, to stay in my cell until all my seductive visitors get tired of pounding on my door and leave me alone. The wisdom of the desert is that the confrontation with our own frightening nothingness forces us to surrender ourselves totally and unconditionally to the Lord Jesus Christ.
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