A Quote by Mehmet Murat Ildan

We must always be thankful to our enemies as they teach us that the smiling face of the world is nothing but a theatre mask! — © Mehmet Murat Ildan
We must always be thankful to our enemies as they teach us that the smiling face of the world is nothing but a theatre mask!
Contemplation is a very dangerous activity. It not only brings us face to face with God. It brings us, as well, face to face with the world, face to face with the self. And then, of course, something must be done. Nothing stays the same once we have found the God within…. We carry the world in our hearts: the oppression of all peoples, the suffering of our friends, the burdens of our enemies, the raping of the Earth, the hunger of the starving, the joy of every laughing child.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
Our friends show us what we can do; our enemies teach us what we must do.
I'm really thankful to be alive. If you get to know me, I'm a person that's always smiling and always joyful and I've been that way since I was born because of the struggles I went through. I was supposed to be number eight that died so I'm always thankful.
This is the way we win over our enemies, not with bigger weapons, or faster ships, but with human courage, ingenuity, and sacrifice. Don't lose hope. We've faced the darkness before-it has nothing new to teach us. As we go about our lives, let us remember the example Dr. Navarro set for us. At the right time, anyone can be a hero.
To overcome of our enemies we must have our own socialist militarism. We must carry along with us 90 million out of the 100 million of Soviet Russia's population. As for the rest, we have nothing to say to them. They must be annihilated.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
I have seen something like it happen in battle. A man was coming at me, I at him, to kill. Then came a sudden great gust of wind that wrapped out cloaks over our swords and almost over our eyes, so that we could do nothing to one another but must fight the wind itself. And that ridiculous contention, so foreign to the business we were on, set us both laughing, face to face - friends for a moment - and then at once enemies again and forever.
We must be trained to clarify minds, heal broken hearts, and create homes where sunshine will make an environment in which mental and spiritual health may be nurtured. Our schooling must not only teach us how to bridge the Niagara River gorge, or the Golden Gate, but must teach us how to bridge the deep gaps of misunderstanding and hate and discord in the world.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
Traveling through the world produces a marvelous clarity in the judgment of men. We are all of us confined and enclosed within ourselves, and see no farther than the end of our nose. This great world is a mirror where we must see ourselves in order to know ourselves. There are so many different tempers, so many different points of view, judgments, opinions, laws and customs to teach us to judge wisely on our own, and to teach our judgment to recognize its imperfection and natural weakness.
I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
Wars teach us not to love our enemies, but to hate our allies.
Our way out involves both resistance and renewal: saying no to what is, so that we can reshape and recreate the world. Our challenge is communal, but to face it we must be empowered as individuals and create structures of support and celebration that can teach us freedom. Creation is the ultimate resistance, the ultimate refusal to accept things as they are. For it is in creation that we encounter Mystery.
The world will teach our children if we do not, and children are capable of learning all the world will teach them at a very young age. What we want them to know five years from now needs to be part of our conversation with them today. Teach them in every circumstance; let every dilemma, every consequence, every trial that they may face provide an opportunity to teach them how to hold on to gospel truths.
Our lives are full of separations that shake us up, force us to attend to our emotional selves and to learn new ways of being in the world. Although many of our losses are painful, they encourage our gains. The lesson life is trying to teach us is that, regardless of the challenges and changes in the physical world, we will abide in peace by aligning ourselves with our inner changelessness. The power of God in us is more than equal to any moment-no matter what it brings. We live in a loving, supportive universe that is always saying yes to us.
This site uses cookies to ensure you get the best experience. More info...
Got it!