A Quote by Mel Brooks
Organizations like the CIA and the FBI are still kind of supermen, kind of SS troops: We're blond and the best and everyone else should be incinerated. They don't know right from wrong. That's what makes a satire of these government bureaus really funny.
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I heard some good news today, the FBI and the CIA are going to start cooperating. They are going to start working together. And if you don't know the difference between the FBI and the CIA, the FBI bungles domestic crime, the CIA bungles foreign crime.
There's something about it to me, the feeling of the water, and feeling, I don't know, equal, and like everyone else. Which is kind of funny because I didn't actually start swimming right away as a sport.
Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
I'm not against the FBI investigation in doing a proper role, but I'm against the FBI spying on people like Martin Luther King. I'm against the CIA fighting secret wars and overthrowing government.
Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.
At 155, I kind of feel, when I'm fighting out there, I just don't feel like I have the right thinking ability. I kind of feel like my mind is foggy, if that makes sense. I don't really know how to describe it. Maybe it's the weight cut.
There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar.
I walk into all these organizations, and I'm always puzzled when I realize that people still want to be there. Most people really want to love their organizations. We need that level of commitment ... Yet organizations have done very little to deserve that kind of staying-power.
That's always been really funny to me - someone who really stridently believes that they're right when they're so wrong in, like, the worst way. Not only do they believe that they're right, but they believe that everyone thinks that they're right, and are comfortable with that.
I didn't know there was something really wrong, because everyone was crazy. It's just that everyone else was still functional. I didn't realize that I was any worse off.
High school’s actually kind of boring. It’s a little bit like living in the Center. Everyone thinks they know everything about everyone else, but really there’s a lot more under the surface. (Lend)
Dyeing my hair has become a kind of addiction. I can't see myself as anything other than blond. Once you go blond, you stay blond forever.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
In food, it's really, like, either you're right, or you're wrong. You know, people's taste buds kind of vary, but there's a technique. Either you do it right, or you don't.
I lived in buses. I didn't really have anything else. I didn't feel like a female, and I ended up really kind of isolated. Everybody thinks you're so happy and so wealthy and such a big star, but you're really kind of lonely and don't know how to stop it.
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