A Quote by Mel Brooks

There's an army story in me, and I think there's a WWII Brooks film somewhere. — © Mel Brooks
There's an army story in me, and I think there's a WWII Brooks film somewhere.
I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.
I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
I was honored to have served in the Army for my country. I was at Anzio during WWII, and it makes you realize how very precious life is.
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
My dad was in the Army. The Army's not great pay, but, you know, we moved from Army patch to Army patch wherever that was. The Army also contributed to sending me off to boarding school.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.
I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.
Brooks Ashmanskas - rehearsing and putting on a show can be very stressful and exhausting, but Brooks makes every moment a joyride. His influence taught me to never take myself or what I'm doing too seriously.
I always loved movies as a child, and I love story. I got my degree in English. Film and story seemed, to me, the vector of the movie business. I really didn't know what 'the film business' meant, but I decided I wanted to be in it.
The brooks flow to their lover, the sea, and the flowers smile at the object of their passion, the light. The mist rolls down to its beloved, the valley. And I? In me is what brooks do not know, what flowers do not hear, what the mist does not apprehend. You see me alone in my love, solitary in my yearning.
I grew up on Mel Brooks films. That was film to me until I got a little bit older and realised there were other kinds of movies.
I think a draft produces a better Army than the one we would have with all volunteers, because I think you get average Americans if you have a draft. And if it's an all-volunteer Army, you get people who join up because of some problem in their own lives. They don't have anything else to do, they don't have a job, or they can't find what they want to do, so they join the Army. And it doesn't produce the best Army.
I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story.
I think film, to me, as a director, is about telling a story.
This site uses cookies to ensure you get the best experience. More info...
Got it!