A Quote by Mel Brooks

I know how to make it a great musical. I've got to. It's like I've got to see it on stage. — © Mel Brooks
I know how to make it a great musical. I've got to. It's like I've got to see it on stage.
So some guy may know how to make money in cocoa beans, but I don't so I just let him have that. But it's got to be something I understand. It's got to be a business with fundamentally good economics. It's got to be a management that I like and trust and admire. And it's got to be a price that makes sense.
For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
There are values on Broadway that are dangerous: it's got to be Best Musical, it's got to make money, it's got to run a certain amount of time. Nowhere in this, of course, is there any mention of quality.
Every time I sit down and write I got to put something conscious in there. It's like I got a job now. They say that for those that know you got to deal in equality. If you know and you don't speak on it and don't apply it, it's like you're the worst hypocrite. I feel I got a job to do, being that I study so much and I believe in Allah like I do, I feel like I got to spread the word.
There are moments where we forgot what got us to where we are now. ... We stopped moving the ball. We know how it works. We are playing a great team with great players, and we've got to be close to perfect to win.
My dad was a midfielder, like I am, and he was good, too. When I saw him playing as I got older, I could see he really knew how to play. He didn't have all the chances to grow and have a great career that I got, but he did what he could.
I got to sing with Placido Domingo... I got to sing with Aaron Neville, who is one of my favorites. Got to sing with Brian Wilson, one of the great high tenors. And Ricky Skaggs, a bluegrass tenor. I'm also proud of my musical friendship with Emmylou Harris.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
Tobin," Mom said disapprovingly. She wasn't a particularly funny person. It suited her professionally - I mean, you don't want your cancer surgeon to walk into the examination room and be like, "Guy walks into a bar. Bartender says, 'What'll ya have?' And the guy says, 'Whaddya got?' And the bartender says, 'I don't know what I got, but I know what you got: Stage IV melanoma.
I want to do stage again, because there just aren't words for how great it is. People say that all the time, 'There's nothing like live theater, blah blah,' but it's really true. I see a show and I know how they feel, and it feels great.
I want to do #? stage again, because there just aren't words for how great it is. People say that all the time, "There's nothing like live theater, blah blah," but it's really true. I see a show and I know how they feel, and it feels great.
I don't think that Mitt Romney can legitimately say that he learned anything about how to create jobs in the LBO (leveraged buyout) business. The LBO business is about how to strip cash out of old, long-in-the-tooth companies and how to make short-term profits. All the jobs that he talks about came from Staples. That was a very early venture stage deal. That, you know they got out of long before it got to its current size.
I wanted to learn how the business worked. I wanted to see how people got drafted, how players got traded, how they got picked up in free agency, how the salary cap worked, how do you manage an organization, how do you negotiate contracts. The Bulls gave me an excellent opportunity to answer all the questions that I wanted to ask.
The first time I ever got up on a stage, I did a comedy poem. I don't know how I got there in the first place because I was very, very shy.
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