A Quote by Mel Gibson
I got a chiropractor to come along to the Patriot shoot, because they can actually stick you back together within 15 minutes. He spent a week and worked on the entire crew. All the stunt guys were like, 'Oh, fix my disc.' The guy's amazing.
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I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
You go into Afghanistan, you got guys who slap women around for five years because they didn't wear a veil. You know, guys like that ain't got no manhood left anyway. So it's a hell of a lot of fun to shoot them. Actually, it’s a lot of fun to fight. You know, it’s a hell of a hoot. It’s fun to shoot some people. I’ll be right up front with you — I like brawling.
When I was in the indies, the guys would be like, 'Ugh, a women's match. I'm not gonna watch that.' And to come back here, at every single Live Event to have a guy come up to you and say, 'That was amazing,' I feel so accomplished.
When we live in a world where everyone wants their 15 minutes of fame, I think it's nice to have a show like 'All Together Now,' where it's about people having 15 minutes of fun.
Man, we were so opposite. One guy sang high, the other low. One guy tall, one short. We were like a quartet without the two guys in the middle. If you were putting two guys together to make hit records, you wouldn't have picked Bobby and me.
I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
Everyone had coverage. You might have like three lines, but there were 10 people, so they would cover each person. Three lines could take 12 or 15 hours, but it was fun because everybody was together. As hard as it was to shoot those scenes, I always enjoyed when we were all together.
These stunt guys are good at what they do and they're professional. A smart actor will step back and say, "I'm going to let the professionals do this." Hats off to those guys, man. When you see the credits scroll, look at all those stunt guys and remember all those names 'cause they earned their money on this.
You do your own stunts as an actor, and you end up getting hurt. It's not your job. You've got stunt guys. Stunt guys make a lot of money.
I met my wife when we were 15 years old. I knew within 15 minutes of meeting her, that's who I wanted to marry.
I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.
If anybody normally has a 45 minute conference call about something, I'm 15 minutes late and then I'm out 15 minutes before everybody else, and I cut to the key information and I move on. I learned that from my dad and guys like Jason Blum, who know how to do that.
Gareth [Edwards] was very much about including everyone in what we were making, so he would cut together different scenes to show us what we were making. And the crew, cast, everyone would go into a theater there at Pinewood Studios and watch 10 minutes of what we were making. It was always so exciting. It looked amazing, and the music was huge.
Whenever I'm not shooting, I'm in the editing room with my footage. While the crew is taking 15 minutes to an hour to set up the next shot, I'm behind the Avid, putting the flick together.
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