A Quote by Mel Gibson
I don't have to be working every moment. Why turn something good into a hard job? It's more special when it's not a daily occurrence. It doesn't cheapen it so much.
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Make the most of every moment. Get excited about every little thing. Why not? Why not have your wonderful moment of excited anticipation? Why not be happy NOW? This is my greatest challenge, but something I'm pouring my heart into: learning how to enjoy what I have, right here, right now. Every moment is precious and although sometimes I struggle to see it, I see it more and more every day.
The only way to get people to like working hard is to motivate them. Today, people must understand why they're working hard. Every individual in an organization is motivated by something different.
There's plenty of days when I'm like 'Oh God, why?' But that's just life. It's every job, not just mine. Every moment is not perfect. But it's definitely more good times than bad. You can't even compare. And when I'm on stage it feels incredible.
I don't understand why it's more socially acceptable to say that you are a shallow person than to just say this is not something you want to do. Especially because it's a really hard job. It's a really important job. And why the hell should you do a really hard, important job that you don't want to do? That has extremely high stakes? That just blows my mind.
Politics is not something most people have to do every day. Their daily lives are much more influenced by job opportunities, whether the country is in a recession or a boom period. If you really want to understand what drives American history, look at the economic... side.
You want to have the experience. As far as the creative side, the more I do this, the more I know that it's all about the writing. You got on a film sometimes and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not. We're good at saying what other people have written, but for the majority of it, that's about it, comedians aside. It's all in the writing. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
I usually have more than one thing I'm working on at once -- I've been working on three different novels. When I get stuck on one, I hop back and forth. It's sort of freeing: I can say I'm abandoning this thing that I hate forever and I'm moving on to something that's good. I'll find that I'll go back to [the other project] in a day or a week and like it again. But that moment of wanting to trash something -- that Virginia Woolf moment when you have to be stopped from filling your pocket with stones -- comes pretty regularly for me. Switching is probably a good thing.
I should figure out why I'm so much more interested in doing something that I think is really hard. But, somehow, the thing that is hard for me feels more noble.
If you ask men why they did a good job, they'll say, 'I'm awesome. Obviously. Why are you even asking?' If you ask women why they did a good job, what they'll say is someone helped them, they got lucky, they worked really hard.
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
We can smile, breathe, walk, and eat our meals in a way that allows us to be in touch with the abundance of happiness that is available. We are very good at preparing to live, but not very good at living. We know how to sacrifice ten years for a diploma, and we are willing to work very hard to get a job, a car, a house, and so on. But we have difficulty remembering that we are alive in the present moment, the only moment there is for us to be alive. Every breath we take, every step we make, can be filled with peace, joy, and serenity. We need only to be awake, alive in the present moment.
I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
I don't know why people feel that I am only interested in films, but I very much want to do fiction. My only prerequisite is a good role, something which satisfies the actor in me. If I get a good banner and a good channel, I would definitely do a daily soap.
Playing live is so weird because I go out there and I try so hard to give something, which will be recognized. And in turn, something will be given to me, there'll be some kind of shared moment in that. So it's very affectively intense - so much longing and lack of control.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
My first job was working for my dad. He was a used-car dealer, and I used to wash the cars down, clean them out, and so on. I would do stuff for him pretty much every day. It was quite a good job, to be honest.
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