A Quote by Mel Giedroyc

It was very hard not to get utterly and wholeheartedly drawn into the stories on 'The Gift.' — © Mel Giedroyc
It was very hard not to get utterly and wholeheartedly drawn into the stories on 'The Gift.'
It is what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
I'm very drawn to the human condition and the emotional aspects of stories. It's what's not on the page that I get excited about.
It is hard to put aside partisanship. It is hard to give up the easy wisecracking jeer that divides and destroys. It is hard - very hard - to have worked sincerely and wholeheartedly for a cause and to have lost. Most of all, it is hard to put aside personal prejudices. And yet we must put these things aside.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
I find that you're drawn to certain stories, and there's something about fairytales that have deep roots. They connect really deeply to you, and those are the stories that I find myself drawn to. I love characters that believe the impossible is possible.
I don't know of anybody's political bias at CBS News. We try very hard to get any opinion that we have out of our stories, and most of our stories are balanced.
As you get older and more successful, you don't get magnetically drawn to aristocracy, you get magnetically drawn to power, and it gets magnetically drawn to you. It's a symbiosis whether you like it or not.
I've always been drawn to stories involving brothers, which started with my first viewing of Sean Penn's, 'The Indian Runner.' This subsequently lead to my working with my two brothers, Scott & Brad. I couldn't imagine a greater gift in the business.
Now it is a funny thing about life. If you refuse to accept anything but the best, you very often get it. If you utterly decline to make do with what you can get, then somehow or other, you are very likely to get what you want.
I'm drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. I'm not saying I don't love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because I'm always struggling with it myself.
I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style.
I'm always drawn to the underdogs, to the people whose stories don't get told.
The hardest thing to do in this league is to get a proven star. It's just very hard to do. It's hard to do in free agency; it's hard to do in trades. You get very few opportunities to do it.
Fragrance is a very personal gift, and I think that's why it makes a great Christmas gift. There's a very distinct signature to it, so if you give it as a gift, I like to think that it's from a person that thinks very highly of you.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
I am drawn to Americana, and I am drawn to gothic stories, and I love American gothic stories.
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