A Quote by Mel Giedroyc
I had to go to an audition for a rather large West End musical set on a Greek island. I didn't realise that you had to go with sheet music to give to the pianist. I took a Mark Bolan CD, a small ghetto blaster and then sang along. It was absolutely appalling.
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If you looked at my music collection and saw an album that was a soundtrack to a musical, it's probably because I had bought it to learn the music so I could go and audition.
We used to go to Palm Springs, ditch school when I was in eleventh grade, and go hang out poolside with our ghetto blaster and listen to Pat Metheny 'Offramp' and kind of trip out on a lot of his music.
As much as I am a huge soccer fan, music just kills it when it comes to importance. I could go to a desert island without a football and survive happily, but if I had to go without music, I think I'd end up killing myself. It fuels my soul. It always has.
When I was younger, I had a much better connection between words and music. Somewhere along the way, I had kind of an aspiration to disconnect them, to just kind of go into a totally musical world.
When I was in casting, we would bring somebody in, have them read their lines, maybe give them a few pointers, and hire them, and then once they go to the set and you have a director who's directing them, that performance may not be anywhere near what you had in the audition, either good or bad.
My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.
When I was doing 'A Disappearing Number' in Plymouth, we had to go on an hour and a half late, and I still hadn't written an end, so we had to make one up, and then we had to go out literally with our pants round our ankles.
I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
My dreams of taking the West End by storm as a dancer flickered but then faded; my father's ambition to see me in a steady office job was tried and abandoned. But I had won a national speaking award, had stood for election to the local council, had begun to travel and took a job working for the Labour Party.
Places I've lived since then had to have some kind of uniqueness and character about them. And logically Key West, and then Down Island. So, all of that stuff sort of had it's roots in New Orleans and went crazy.
The fan base that I've had all these years has come along. Some of them are not as plugged into the digital world, so they want to go out and buy the CD at Walmart or something.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
East of the sun and west of the moon.' As unfathomable as the words were, I realized I must figure them out, reason it through. For I would go to this impossible land that lay east of the sun and west of the moon. From the moment the sleigh had vanished from sight and I could no longer hear the silver bells I knew that I would go after the stranger that had been the white bear to make right the terrible wrong I had done him.... All that mattered was to make things right. And I would do whatever it took, journey to wherever I must, to reach that goal.
I met an agent through my modeling agency who encouraged me to go out and audition for sitcoms, and I was absolutely petrified because I had no desire to do it.
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