A Quote by Mel Giedroyc
It's often the guests you don't expect to be interesting who are the best. On 'Light Lunch,' I remember a guest called Ivor Spencer. He was the Royal Toastmaster and he was great, a real good-time guy.
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If the guests want to wrest the check away from the host, because the host is also the guest of honor, then the guest who volunteers has to cover the whole thing. A guest can't volunteer -all- of the guests to pay for the host/honoree.
if you live in New York and you have a guest room, you have guests. So I think it's best not to have a guest room.
With the long-format interview, I can get into really interesting conversations with my guests. You know what it's like to get the opportunity to speak to really interesting people and pick their brain about things. To have time to let a guest actually speak and tell a story and get into detail is really exciting.
The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.
The truly essential bargain between host and guest requires the guest only to respond promptly, show up on time, socialize with other guests, thank the host, write additional thanks and reciprocate. You needn't bring anything.
I will remember the night I won the New Comedy Awards, as I was young and unformed, so that sticks in the mind. I've also done a fantastic gig at the Royal Albert Hall, which was amazing. Appearing in the Christopher Guest film was also a real highlight, even if I was only in it for a couple of minutes.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
When I read Spencer Madsen’s poetry, I not only feel awe because he’s so good, one of the best, but I also think about how everything in the world is happening at the same time, and how the world we get to know is so heavily edited down. It’s the hugest, weirdest feeling. I wish Spencer Madsen could be everywhere at once. I really love You Can Make Anything Sad.
Most people don't remember the guy from 'The Real World.' They know the guy who is a professional, a father, and a friend that gives great advice.
But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.
When I was at the Royal Ballet School, I remember receiving my first eyeshadow palette from Marks & Spencer as a gift. It sparked my interest in beauty, which peaked when I became more involved in theatre and got to experience so many stunning image transformations to suit different productions.
I fully agree with all that you say on the advantages of Spencer's excellent expression of 'the survival of the fittest.' This, however, had not occurred to me till reading your letter. It is, however, a great objection to this term that it cannot be used as a substantive governing a verb; and that this is a real objection I infer from H. Spencer continually using the words, natural selection.
Royal relationships across the generations have often been strained and distant, rather than close and affectionate. Most eldest sons, interminably waiting to become king, have not been on the best of terms with the sovereign to whose death they look forward with a debilitating combination of guilt-ridden anxiety and eager anticipation. And younger sons (and daughters, too) have often found their lives empty of purpose: cut off by their royal statius, but unable to find anything rewarding with which to fill the time.
I've worked hard to remember it...The problem is I'm not sure what's real memory and what's my brain filling in details, like a guy whose heart stops and he thinks he sees a bright light. Except I'm sure of my bright light.
I have the version of me where I'm interviewing someone, where I definitely am the straight man, and I like to show a lot of respect to my guest and let them take the reins. I don't like to compete with my guests. I don't like to be funnier than my guests or get into a 'Who's wackier?' sort of thing.
After my time on 'The Bachelorette,' I launched my podcast called 'Off the Vine.' The premise is simple, my guests and I open a bottle of wine and have some good conversation.
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