The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
I am more comfortable doing comedy, and I want to perform comedy. When you can really make someone laugh, that's a healing experience. It's like music. A lot of music is really healing.
I don't think it's ever hard to punch someone in the face who's just punched you in the face. I would say that anyone who thinks they can walk up to someone and punch them in the face without getting punched back is an idiot. At the end of the day, if someone came up here and punched you, trust me, you would fight back. That is just basic survival.
I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
When someone can, on a worldwide level, make someone laugh, that's power. A lot my heroes - Eddie Murphy, Will Ferrell, the Wayans, Adam Sandler - they get it. And I've always felt that Andy Samberg is the future of comedy.
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
If someone breaks your heart, just punch them in the face. Seriously. Punch them in the face and go get some ice cream.
You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
I mostly, for someone who makes a lot of their living in comedy - and even for someone who doesn't make their living in comedy - I don't watch a lot of comedy.
You can't punch people in the face, punch people in the face, punch people in the face, and ask them to have tea and crumpets with you and think it's all good. Life doesn't work that way.
If someone breaks your heart, just punch them in the face. Oh sure, it seems obvious now, but you'd be amazed at how many people don't think of it when it's relevant. Seriously, punch them in the face and go get some ice cream.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.