A Quote by Mel Tillis
I'll do about 13 shows in Branson next year, and I'll be performing at the Grand Palace.
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History shows us that people are terrible about guessing what is going to happen - next week, next month, and especially next year.
The club shows are really intense and powerful, but for a shorter time, and the audiences are in close proximity than when I'm performing at The Palace Theatre.
My progression into acting was pretty slow. I was constantly performing in different kinds of small shows. One year I would be in a magic show, the next year in a circus show, then a small play, and then a dance show.
Usually for a movie, if you want a 13-year-old, you get a 16-year-old who looks 13, because 13-year-olds dont have that level of self-awareness.
I remember seeing the first episode of '24' when I was 13, and to be that face for a 13-year-old and open up that possibility, it shows you the world isn't on fire. There's possibility there.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
I started performing at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.
No one knows what the top-performing asset class will be next year. Lacking this prescience, your next-best solution is to own all of the classes and rebalance regularly.
What goes through one's head when Disney asked for 52 more shows? I remember seeing that in the supplemental features...When they first said "52" I literally laughed, I thought they were kidding. They said, "Well, how many do you think could do?" And I said, "Well, we've got 6 scripts in the works, so 6 obviously we could do. We did 13 last year, I think we could do 13 this year without a problem." I said, "If we really pushed it, I think we could do 18." And they said, "What about 52?" I started laughing but they were serious and eventually they did get the 52 episode order.
The year was 1882. The palace was the Luxembourg Palace: the ball, the Senat Bal, held at the beginning of autumn. It was still warm, and so the garden was used as well. I was the soprano. I was Lilliet Berne.
The day I'm in England performing, English security let a man in a Batman suit climb Buckingham Palace. I felt so much safer... Batman was on the wall of Buckingham Palace for five hours. Wouldn't happen in America - three minutes: dead Batman.
This year its just about winning the big matches because if youre going to get into the top 20 then youve got to do well at the Masters Series and the grand slams. I dont have any ranking points to defend for the first few months of the year so if I do well over the next few weeks then Ive got a chance of doing it.
One thing that did give me pause for thought, when I told my female friends now that I was writing about a 13-year-old girl, without exception they all said, 'I would not go back to being 13 for a million pounds.'
I'm the luckiest man in the world - performing 500 shows a year and loving what I do - illusion IS my day to day life.
When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.
When I came to the United States, I appeared on the Ed Sullivan Show as a 13-year-old, and I played a Mendelssohn Concerto, and it sounded like a talented 13-year-old with a lot of promise. But it did not sound like a finished product.
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