A Quote by Mel Tillis
You know, it comes from my mother's side of the family. She had seven sisters and one brother, and all of them could play instruments. I suppose I picked it up from that.
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My family background really only consists of my mother. She was a widow. My father died quite young; he must have been thirty-one. Then there was my twin brother and my sister. We had two aunts as well, my father's sisters. But the immediate family consisted of my mother, my brother, my sister, and me.
My mother passed away when I was seven. She had a piano in the house that she was teaching my sisters how to play. That was where I first encountered music, through her.
I'm sure everything has a bearing on what I'm doing. My family is a lower-middle-class family, there's lots of children, seven brothers, two sisters grew up together, fighting with each other, went to school. My mother went to school up to 4th grade. My father went to school up to 8th grade. So that's about the education level we had in the family.
Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
I was picked on because I was timid. I had younger sisters; I couldn't turn to them for help. I didn't have an older brother.
I guess I'm what you call a slush-piler. I just sent my manuscripts to the slush pile of publishers and hoped for the best. Over seven years, I was rejected seven times on three different books. The fourth attempt was picked up by a small publisher, and I still have great memories of staying up all night, talking to my brother and sisters (my dad called me at 2:30 in the morning because I was overseas).
She was a wonderful mother. She was my best friend. Same for my brother. And it's funny because we didn't grow up in Hollywood. You know, once she decided that she needed to be a mother, she really gave up her career.
I had a happy childhood in a nice suburban area, pretty idyllic, upper middle class and very, very white. My dad is an attorney. My mother is a housewife. They had five kids in seven years: me, my brother, and three sisters. I'm the oldest. We were all very active. My mother was exhausted.
I have a really big family, and pretty much all my work is about my brothers and sisters. I'm the youngest of eight - my mom had seven kids in seven years, and then she had me 11 years later - so I was basically raised by all these teenagers.
My mother, Anne, was a cleaner and a shopkeeper. Out of economic necessity she had to hold down two jobs and she would take me and my older sisters, Dawn and Joanna, and my younger brother, David, with her when she cleaned houses.
I have two sisters. My father is Greek and comes from a family of seven. My mother is English and comes from a family of five.
I picked up the Puerto Rican accent from my father, and my sister picked up my mother's very clear, concise, and slow Mexican-Spanish. So, when she does speak, she speaks with diction. She pronounces every word.
When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.
I got into music through just being inspired by my brother and sisters. They all sing, play instruments and write - and they're very good at it.
Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.
She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials....She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.
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