A Quote by Mel Torme

I got into radio when I was eight, and I was one of the busiest child dramatic actors in America. — © Mel Torme
I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.
It's very hard to find a good child actor. There are a lot of child actors out there, especially in America, and they're cute kids, but most child actors appear on sitcoms where their main role is to be cute and make funny little remarks.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
You're always aware that only eight per cent of actors are in work at one time, so you've got to be thankful for the job you've got and do the best you can.
I was always very dramatic - my family would probably use the word 'dramatic' - as a child; always putting on performances, making everyone come watch, and pay to watch. I was very business-savvy as a child.
As a child, I experienced black culture as many people did in America: on the TV, radio, and stages.
I'm labeled a comedic actor, which is awesome. But I love getting the occasional dramatic role, too. Some of your best dramatic actors are ultimately comedians.
I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years.
As much as we joke around about 'The Bachelor' being the most dramatic show ever, Miss America really is an amazingly dramatic moment.
My dad talked a good game. [I'm as a] child got only the World Series on the radio.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
Imported actors, like certain wines, sometimes do not stand the ocean trip. This can be as true of American actors in Europe as it is of European actors in America.
America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio.
As a black artist in America, you know, it is so segregated as far as the radio goes and how they position music on the radio.
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