A Quote by Mel Torme
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.
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I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
I never thought about heaven per se. I think when you're dead, you're dead. If anything happens after that, you just hope you don't go to hell.
Well, it is quite daunting, but I made my first appearance on the stage when I was nine, because I went to a theatrical school, because I wanted to be an actress since I was eight.
When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
I used to do karaoke with Patrick Woolf in a karaoke box, and he would ring me up and say, 'Come down and do karaoke with me here,' and then we'd sing Kate Bush songs and get really, really emotional and theatrical in the booth.
After playing so many songs in churches for eight or nine years, I've learned what songs people react to. Then I just had fun with the arrangements. That's how this album came together.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.
Getting to do shows with Lady Antebellum, Keith Urban, and Sam Hunt is just awesome. It's so inspiring because I grew up such fans of Lady A and Keith, and to be able to sing my songs on the same stage as them and then stand side stage and watch them is just a really special thing.
I've always been aware that probably writing songs - stupid songs or, at least, theatrical songs - is, I dunno, I certainly don't think about that, about my persona on stage. In fact, I work really hard not to address it too much in my head.
I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.
I'm not really a helicopter dad or tiger dad per se. If anything, I try to not do that, but I get anxious while I'm trying to be relaxed about raising my kids.
It's never really quiet in the Wu-Tang tour bus unless it's a certain time of day. Sometimes it's quiet, but you're not going to have eight, nine members on a bus in total silence and everyone is up, unless there are some issues going on, unless there's a death or something really serious that just has us all thinking. Other than that, we're gonna be kicking it.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
I've wanted to not play as much. I would like to just sing now. Even though I don't think I'm a great singer, I wouldn't mind just - not being a frontman, per se, but singing and not playing.
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