A Quote by Melanie Benjamin

I like to imagine the "what ifs" of history. — © Melanie Benjamin
I like to imagine the "what ifs" of history.

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In the many-mansioned house of Alternate History, I occupy a small corner. The trio of what-ifs I chronicled in 'Then Everything Changed' all begin with tiny, highly plausible twists of fate that lead to hugely consequential shifts in history.
The ifs and buts of history...form an insubstantial if intoxicating diet.
You have to dream. We all have to dream. Dreaming is OK. Imagine me teaching from space, all over the world, touching so many peoples lives. Thats a teachers dream! I have a vision of the world as a global village, a world without boundaries. Imagine a history teacher making history!
I had studied history at Brown and didn't feel like doing anything with it. What does one do with a history degree besides become a historian? And the professors in school, it seemed like they were just writing books for other professors to comment on, and vice versa - it was the most self-referential, boring world you could ever imagine.
I equals all of the ifs added up over time. The ifs, those are the possibilities; that's infinite for all of us. Every day there are just millions of them. Time, that's finite for each of us; there is no question there. Maybe if you divide choices by the amount of time you have, the real I can emerge, depending upon those choices.
The history of a city was like the history of a family—there is closeness and even affection, but death eventually separates everyone from each other. It is only the vividness of memory that keeps the dead alive forever; a writer’s job is to imagine everything so personally that the fiction is as vivid as our personal memories.
Imagine a history teacher making history.
Racing is full of 'what-ifs.' Like anything else in life, you learn from your mistakes and move on to the next challenge.
I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.
Doing 'Prometheus' was what you imagine being an actor is like when you're five. In a spacesuit, on another planet, getting killed by an alien. It was a real treat; it felt like being a part of movie history.
Doing Prometheus was what you imagine being an actor is like when you're five. In a spacesuit, on another planet, getting killed by an alien. It was a real treat, it felt like being a part of movie history.
For it is in the millions of small melodies that the truth of history is always found, for history only matters because of the effects we see or imagine in the lives of the ordinary people who are caught up in, or give shape to, the great events.
Sometimes I imagine a surveyor 100 years from now reading my plan, retracing my boundaries, and finding the monuments that I set. It's an honor to make a mark in history like that.
Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.
We like to imagine that in history, truth will prevail through sheer persuasive power. Sadly, this is not the case. Truth needs champions.
I don't talk in ifs.
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