A Quote by Melanie Fiona

I'm a young girl with an old soul. I wanted to fuse the two together, the past and the present. — © Melanie Fiona
I'm a young girl with an old soul. I wanted to fuse the two together, the past and the present.
April is the two-week-old kitten, the month-old lamb, the six-month-old heifer, the two-year-old girl. Too young to know it has either past or future, it wears the ribbon of the fleeting present as part of itself.
In Orphan Train, Christina Baker Kline seamlessly knits together the past and present of two women, one young and one old. Kline reminds us that we never really lose anyone or anything or – perhaps most importantly – ourselves.
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
I love country and rock, and I wanted to fuse them together. But I also knew that there were certain elements that needed to still be there to be both country and cater to my old fans.
Jennifer Lawrence is just the coolest girl. Everyone forgets how young she is because she's so together, such an old soul. She just gets it. She's one savvy chick.
Live in the present. The past is gone; the future is unknown -- but the present is real, and your opportunities are now. You must see these opportunities; they must be real for you. The catch is that they can't seem real if your mind is buried in past failures, if you keep reliving old mistakes, old guilts, old tragedies. Fight your way above the many inevitable Traumatizations of your ego, escape damnation by the past, and look to the opportunities of the present. I don't mean some vague moment in the present -- next week or next month, perhaps. I mean today, this minute.
You are the only young man that I know of who ignores the fact that the future becomes the present, the present the past, and the past turns into everlasting regret if you don't plan for it.
I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.
When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know?
My hope is that very young people in America who have experience with the streets, hip-hop, college, higher learning will fuse all that together. I just want to be the music that can relate to both sides, that stitch together their lives or represents their experiences.
Sam,' the girl said. 'Sam.' She was the past present and future. I wanted to answer , but I was broken.
[My characters are] conglomerations of past and present stages of civilization, bits from books and newspapers, scraps of humanity, rags and tatters of fine clothing, patched together as is the human soul
Yet, every now and then, there would pass a young girl, slender, fair and desirable, arousing in young men a not ignoble desire to possess her, and stirring in old men regrets for ecstasy not seized and now forever past.
Sir, sorrow is inherent in humanity. As you cannot judge two and two to be either five, or three, but certainly four, so, when comparing a worse present state with a better which is past, you cannot but feel sorrow. It is not cured by reason, but by the incursion of present objects, which bear out the past.
When I was very young, I wanted to be a girl. I was jealous that girls got to be princesses and wear skirts. It tormented me. When I was 6, I even heard that you could change your sex, and I was very intrigued until the moment I realized that if I changed into a girl, I would be an ugly girl, and this is the last thing I wanted to be.
A nation has a soul, a spiritual principle. One is in the past, the other in the present. One is the possession of a rich legacy of memories; the other is the desire to live together and to value the common heritage.
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