A Quote by Melanie Fiona

Once I started performing I knew that's what I wanted to do with my life. But you have to work really hard to be a performer. — © Melanie Fiona
Once I started performing I knew that's what I wanted to do with my life. But you have to work really hard to be a performer.
I always knew I wanted to be a performer, and my mother started taking me to dance classes when I was five. My mother is a teacher, my father works at an insurance company. When I said I wanted to be a performer, people went, "Yeah, right." You don't do that where I come from.
When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
Once I started wrestling, I really got into it, and I just knew that I wanted to do that - I wanted to wrestle all the way through college.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
When I was in 'Billy,' I always knew that I wanted to do something in performing. I always knew that I wanted to have a future in the performing arts. I had no idea that it was going to be acting in movies.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
I always knew I wanted to be a performer. I started playing when I was in third grade, but I wasn't very good at all.
I was pretty young when I decided I wanted to, well, more so be a singer. I started singing in church in my hometown, East Orange, New Jersey. I knew when I was about five or six that I wanted to be a performer.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
When I first started wrestling I knew that I wanted to work as long and as hard as it took to be able to have a great match with anyone.
I really knew when I started photographing I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to be a voyeur.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
I became a very passionate Christian when I was 17. I started writing and performing poetry at different venues across the U.K. I started performing from then, really.
Once I really understood what skating was and what the Olympic really entailed, I knew that's what I wanted to do: I wanted to be there; I wanted to represent the U.S.
I went on Ellen once, and even then, I was just a bad performer. It was nerve-racking at first playing in front of all her fans who really wanted to see her. Her fans are so young and accepting to new people, and it helped that they knew 'Marvin Gaye,' too.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
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