A Quote by Melanie Griffith

I'm an actress so the amount of rejection and commentary you get right to your face is pretty rough. — © Melanie Griffith
I'm an actress so the amount of rejection and commentary you get right to your face is pretty rough.
There are no real successes without rejection. The more rejection you get, the better you are, the more you've learned, the closer you are to your outcome... If you can handle rejection, you'll learn to get everything you want.
'Pretty' is not the amount of makeup on your face or the shirt you're wearing or the size of your pants - that is false.
For every successful actor or actress, there are countless numbers who don't make it. The name of the game is rejection. You go to an audition and you're told you're too tall or you're too Irish or your nose is not quite right. You're rejected for your education, you're rejected for this or that and it's really tough.
It's pretty rough in South Africa. It's a rough culture. Imagine rough - well, it's rougher than that.
Let me say, it's - what a commentary it is on American media that you have to go to Russian television in order to get covered as a candidate in this election. It's pretty outrageous. And our media could solve that in a heartbeat if they actually opened it up, you know, but they don't. So I think that's more commentary on the crisis in our media.
Rejection-and the fear of rejection-is the biggest impediment we face to choosing ourselves.
I enjoy the sari. I think it's the sexiest garment ever. It shows you the right amount, it covers the right amount, it's extremely versatile, it suits every body type, it suits every face.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
I wanted to be a serious actress rather than a pretty face.
I don't think I'm too thin at all. I understand when people say, 'Well your face gets gaunt,' but to get your bottom half to be the right size, your face might have to be a little gaunt. You choose your battles.
I discover poetry when I was in elementary school and I was so fascinated by it. Because I realised if you get the right amount of syllables and the right amount of words, in the right rhyme scheme and you put it all together. You make words just bounce of a page.
Being an actress and a singer, you get more 'nos' than you get 'yes.' You get more rejection than you do anything else.
The right kind of fear will keep us from doing wrong. The rough is only mental - it is rough only because your think it is.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
Mini-series are my favorite medium to act in because it's the right amount of pages you shoot a day, it's the right amount of time that you're with a character, and they really advertise it a lot so that people get excited for this epic event.
With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.
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