A Quote by Melanie Griffith

I'm not a feminist, but I just think it's a really cool process working with a woman as a director. — © Melanie Griffith
I'm not a feminist, but I just think it's a really cool process working with a woman as a director.
I think anyone who wants the social, political and economic equality for women can call themselves a feminist. It does get trickier, of course, when you see anti-woman politicians or pundits claiming the feminist label while working hard to dismantle feminist gains.
I'm a woman, born the daughter of a feminist and the granddaughter of a feminist grandfather. I don't think I could have avoided working on women's issues. I don't do it as a career or profession; it's my very essence as a human being.
I think people resist feminism because they're scared. I think for women, they're scared of being picked on or of being called out. I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with. There's no benefit to saying that you're a feminist.
Naturally my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by "feminist." In the beginning I used to say, well, of course I'm a feminist. But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not. I think I'm a feminist as far as thinking that the experience of women is important. That is really the basis of feminism.
I've heard people say that 'The Blair Witch Project' is a feminist movie because there's a woman in charge and I've heard it called a completely anti-feminist movie because this woman screws everything up. Who cares really? It's just a movie.
I think it's really important that women support each other. I've heard of a very successful female director saying she doesn't identify as being a feminist or a woman in Hollywood. And I understand that, but I feel so differently. It's so important to identify as a woman and have a voice, to understand that it's different from a male voice, and to understand the nuances that go into that. I love women. I think I'm a girl's girl. It's super important that we have a voice in the industry.
I love working with Darren Lynn Bousman. He is such a cool director with really great ideas.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
It's really cool that Miley Cyrus said she's the biggest feminist ever. I was like, 'That's the sound of 200,000 eight-year-olds Googling the word "feminist!
I think, with my own daughters, rather than preaching a feminine agenda, I just really try to help them understand what it meant to be a woman in the late 20th century and the consciousness of how to be a woman in the 21st century: What is working for you and what is working against you.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
I don't think I'm inherently feminist. I think the universe wants me to be feminist, and I think I resonate with that. I think it just chose me to be this female energy... thing. And I'm very drawn to female energy, but I don't really have any prerequisites in feminism. I just roll with it.
I'm a big Gucci fan. So, just working with Gucci and seeing his creative process. It was also really cool to work with Scott Storch. He's a legend.
I don't follow anything that's said about him much, but the Uwe Boll that I know is just a really cool guy. He's just a really quiet, kind and passionate filmmaker who really believes in what he's doing. Like any director that an actor wants to work with, you want a director who's passionate and believes in the work that he's doing.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
People ask me a lot, 'Well, can you be pro-life and be feminist? Can you be conservative and be feminist?' And I think that, yeah, maybe personally you can be those things. But I think if you're advocating for legislation, or if you're fighting to limit other women's rights, then you can't really call yourself a feminist.
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