A Quote by Melanie Martinez

"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families. — © Melanie Martinez
"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.
I am definitely a Tim Burton fan. I had seen 'Edward Scissorhands' enough times to know it by heart. That's exciting: to work on something you feel like you really get.
Sometimes I feel kind of wrong here. I used to be normal, but now... I don't know. I feel like I should be one way, but I'm not." Toby stared at her. "I hear that." He sighed. "There are all these perfect people here. And... it's like, if you're not one of the,. then you're messed up. But I think, inside, the flawless-looking people are just as messed up as we are.
I'm from a little village in the south of Holland where there was nothing to do but watch American movies and television - I grew up with The 'A-Team,' 'Charlie's Angels,' and 'Edward Scissorhands.'
We need to heal the environment - that's a big thing - because we messed it up and we have a responsibility to heal and clean up what we have messed up before we think about leaving here. We can't really heal the outer environment on those levels until we heal our families.
I think a lot of 'Edward Scissorhands' was about the suburban world that Burton grew up in feeling like an outcast. I feel like there's no way it's not at least a little autobiographical from that standpoint. I always liked that.
Seeing John Major govern the country is like watching Edward Scissorhands try to make balloon animals.
I always reference 'Mad Max' when I think about what I want to wear. But it's a fine line between that and 'Edward Scissorhands'.
When I was 14, 15, 16, I was wearing 'Edward Scissorhands' and 'Nightmare before Christmas' stuff. I saw 'Sleepy Hollow' a dozen times.
I just blow-dry my hair and put on mascara and lip gloss, and I'm ready to go. I really don't get long nails. They're so Edward Scissorhands.
'Edward Scissorhands' was tough to let go of because I found real safety in allowing myself to be that open, that honest. To explore purity. It was a hard one to walk away from.
I did a stint on 'Dollhouse,' and prior to my stint on 'Dollhouse,' I had no plans to be working with Joss Whedon until he said, 'Hey, do you want to do this?' When he calls, I'll pick up the phone, and that's how that works.
I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'
All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
In a very cold night, even houses want to have houses of their own to enter inside them and feel warm!
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