A Quote by Melanie Martinez

Working on this album has been very emotional and super personal, and creating this character 'Cry Baby' helped me deal with my own insecurities. — © Melanie Martinez
Working on this album has been very emotional and super personal, and creating this character 'Cry Baby' helped me deal with my own insecurities.
The Cry Baby character is so, like, based off of myself that it just really is just from personal experience. And when I was younger I was called a cry baby and made fun of for being super emotional and taking things way to personal.
When I first started writing the album, "Cry Baby" was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.
I'm insane, I'm emotional, but I'd rather be that than a robot. So that's definitely something that I wanted to get out there. Especially with Cry Baby's story, because the album is about Cry Baby but I realized that me and her went through the same change.
Baby boomers helped me a great deal in my career. They launched me. They were there for me to sing my song to. And I'm not saying I'm better than anyone, but I think they turned that anti-authority baby boom mentality into their own enemy. Now I identify very closely with their children.
It's so much easier for me to get up and be someone else than expressing my own thoughts and feelings. There's definitely something about creating a cloak of a character that helped me deal with my shyness.
Cry Baby is about Cry Baby and the next album [which I think I have a title for but I don't wanna say anything yet because I don't know and it's too early] is a place in the weird town that I'm trying to create and its Cry Baby's perspective throughout this album. You're not learning about her, you're learning about the place that she's in and her perspective. Down the line for sure I will think of other characters in this world.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.
In 2004, I shifted to Mumbai and started working in theatre, along with working for corporates for 15 years. That helped me a lot in creating a different character for multiple shows.
I've been working on my own music. I've been writing an album, stuff that's kind of personal to my own life.
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel myself writing a story, so this is the first album where I'm proud of every lyric.'
Once I was done making my album 'Cry Baby,' I knew I wanted to make a vintage-inspired baby bottle perfume.
You say the character [of Leo Bloom] was meek and insecure, and you could've been describing me as well. I was a very shy person in those days, and working with Zero [Mostel], who was bigger than life, helped me grow. Zero was a strong influence on me.
When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
A lot of new artists sign their deal and then go into a development stage for a year or two or sometimes never get out of it. For me, because I had been a working songwriter in town, I had a collection of songs that I was ready to make into an album. At the time, I didn't realize it was becoming an album, but it was.
Definitely working on 'Deal or No Deal' was a learning experience, and it helped me to understand what I would rather be doing.
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