A Quote by Melanie Mayron
With episodic, kind of one-hour directing, they always have guest directors come in, so they don't have the same person week after week. You get a break.
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The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to recreate that.
It's very trying on a marriage when you're doing a one hour show, week after week after week. You don't have enough time for people that maybe you should have top priority.
Train at the same pace day after day, week after week, year after year, and that's the kind of running the body adapts to. But break out of that comfort zone with a little speedwork now and then, and the body will learn to deal with the new demands.
'Narnia' has opened my eyes to a lot of things. I feel lucky that I'm able to travel; I'm not stuck in my hometown, meeting the same kind of girls and saying hi to the same people, week after week. There are so many interesting, intelligent girls out there.
WrestleMania is a week-long series of events, and the logistics of executing that week along with the week leading into it and the week after it are extraordinarily difficult in our own back yard.
It is kind of tedious after a while, to parse politicians doing the same thing over and over again. The facts change from week to week, but the sort of masquerade doesn't.
The scientific evidence of how serious this climate crisis is becoming continues to amass week after week after week.
You never know, especially on episodic television, you just don't know week to week what's going to happen.
In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them.
People think it's just a 16-week season, but this is a 52-week kind of job. You're always thinking about how to improve and what to get for the next year.
I don't think most analysts understand that whether I work a 70-hour week or an 80-hour week, I take my head with me when I go home.
I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.
Being at Liverpool since the age of eight, it's always been my dream to break into the first team and be playing at Anfield week in, week out.
If I gave America any kind of hope or any kind of inspiration, I really want to say thank you for allowing me to continue doing that week after week.
No person can get very far in this life on a 40 hour week.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
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