A Quote by Melanie Mayron

Everybody in L.A. has a screenplay. The guy pumping your gas has a screenplay. — © Melanie Mayron
Everybody in L.A. has a screenplay. The guy pumping your gas has a screenplay.
You're trying to create a screenplay and your screenplay is there to give you a structure, rigidity, situational awareness, who the characters are, what do they want, what's the shape of the thing.
Right when I moved to L.A., I started writing. I wrote some screenplay. I'm sure it's terrible. But I wrote a screenplay by myself. When I first moved to L.A., I had no friends. I didn't know anybody. I just sat in a little studio apartment, and I wrote a screenplay.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
I want to have more original-screenplay Oscars than anybody who's ever lived! So much, I want to have so many that - four is enough. And do it within ten films, all right, so that when I die, they rename the original-screenplay Oscar 'the Quentin.' And everybody's down with that.
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
Bollywood movies ignore screenplay, if you notice whichever movie is a hit has an interesting screenplay.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. Thats what writing a screenplay is.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. That's what writing a screenplay is.
A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
The fundamental difficulty that most novelists face when they are trying to adapt their own book into a screenplay is realizing that a screenplay is a completely different way of storytelling, and it has limitations.
A screenplay adaptation of my 'Punktown' novel 'Health Agent' has been making the rounds. The screenplay was written by my friend, singer/songwriter Walter Egan of 'Magnet & Steel' fame!
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
You cannot live in Los Angeles for any period of time without eventually trying to write a screenplay. It's like a flu bug that you catch ... Even the plumber has a screenplay in his truck.
The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
'Sunspring,' the first known screenplay written by an AI, was produced recently. It is awesome. Awesomely awful. But it's worth watching all ten minutes of it to get a taste of the gap between a great screenplay and something an AI can currently produce.
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