A Quote by Melanie Rae Thon
In The Jaguar's Children we enter the dangerous borderlands between countries and generations; myth and magic; human community and the vast, infinitely mysterious, wild environment. Here, John Vaillant proves that his heart and imagination are as expansive and fierce as his radiant intellect. Never have I encountered a writer with more energy or compassion.
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I have long admired the visceral storytelling and moral complexity of John Vaillant’s brilliant non-fiction about humankind’s tragically ambivalent relationship with the natural world. Now he brings his abundant literary gifts to a debut novel set in a very real borderland in which human beings are themselves treated like animals. The Jaguar’s Children is a beautifully rendered lament for an imperiled culture and the brave lives that would preserve it. You should read it.
In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb.
The age of warrior kings and of warrior presidents has passed. The nuclear age calls for a different kind of leadership.... a leadership of intellect, judgment, tolerance and rationality, a leadership committed to human values, to world peace, and to the improvement of the human condition. The attributes upon which we must draw are the human attributes of compassion and common sense, of intellect and creative imagination, and of empathy and understanding between cultures.
But nature - that is, biological evolution - has not fitted man to any specific environment. On the contrary, ... he has a rather crude survival kit; and yet -this is the paradox of the human condition - one that fits him to all environments. Among the multitude of animals which scamper, fly, burrow and swim around us, man is the only one who is not locked into his environment. His imagination, his reason, his emotional subtlety and toughness, make it possible for him not to accept the environment but to change it.
Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.
As the body rolled to the ground Tarzan of the Apes placed his foot upon the neck of his lifelong enemy and, raising his eyes to the full moon, threw back his fierce young head and voiced the wild and terrible cry of his people.
Taboos on the human heart are more dangerous than any risk we run by using our emotions. Sensation is the life of man; it is his actual energy. To suppress it is to lose creative power!
The great God endows His children variously. To some He gives intellect...and they
move the earth. To some He allots heart...and the beating pulse of humanity is theirs.
But to some He gives only a soul, without intelligence...and these, who never grow up,
but remain always His children, are God's fools, kindly, elemental, simple, as if from
His palette the Artist of all has taken one color instead of many.
There must be an alternative between Hollywood and New York, between those two places psychically as well as geographically. The University of Iowa tries to offer such a community, congenial to the young writer, with his uneasiness about writing as an honorable career, or with his excess of ego about calling himself a writer.
Of the total creative effort represented in a finished work, 75 percent or more of a writer's labor goes into designing the story designing story tests the maturity and insight of the writer, his knowledge of society, nature, and the human heart. Story demands both vivid imagination and powerful analytic thought.
The vast majority of abortions are performed between the seventh and tenth week when the baby is already sucking his thumb, recoiling from pricking, responding to sound. All his organs are present, the brain is functioning, the heart is pumping, the liver is making blood cells, the kidneys are cleaning fluids, and there is a fingerprint. His genetic code is uniquely and unquestionably human. And, if we are willing, he can be seen by ultrasound.
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
I do not believe that it is necessarily the duty of the writer to give a voice to his community. If a writer is true to his vocation, to his or her vocation, the very process of creativity enlarges these human horizons. It provides insights, even when you're not writing, when your writing's not dealing with a concrete political situation.
What I do in the writing of any character is to try to enter into the mind, heart and skin of a human being who is not myself. It is the act of a writer's imagination that I set the most high.
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