A Quote by Melina Marchetta
I walk down the steps of the verandah towards her and with shaking hands she holds my face between them, sobbing, "Look at my beautiful girl.
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The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
She bowed her head, clasping her hands tightly before her upon the arm of his chair, for her heart yearned towards him, yet could not reach him, and it made her throat ache with unhappiness to meet that look of his that rested on her face without seeing it.
She looks at the swings, and I can see she’s imagining what they’d look like if the kids weren’t there. The guilt of this holds her down momentarily. It appears to be there constantly. Never far away, despite her love for them. I realize that nothing belongs to her anymore and she belongs to everything.
I watched a little girl cover her face up and leave her hands in front of her mouth. I saw that girl after surgery, and she was smiling... that's a great source of satisfaction.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
Sometimes you walk past a pretty girl on the street there's something beyond beauty in her face, something warm and smart and inviting, and in the three seconds you have to look at her, you actually fall in love, and in those moments, you can actually know the taste of her kiss, the feel of her skin against yours, the sound of her laugh, how she'll look at you and make you whole. And then she's gone, and in the five seconds afterwards, you mourn her loss with more sadness than you'll ever admit to.
Annabel looked down. Her hands were shaking. She couldn't do this. Not yet. She couldn't face the man she'd kissed who happened to be the heir to the man she didn't want to kiss but whos she probably was going to marry. Oh yes, and she could not forget that if she did marry the man she didn't want to kiss, she was likely to provide him with a new heir, thus cutting off the man she did want to kiss.
Ava Gardner was the most beautiful woman in the world, and it's wonderful that she didn't cut up her face. She addressed aging by picking up her chin and receiving the light in a better way. And she looked like a woman. She never tried to look like a girl.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
Brit Marling smartest girl I've ever met. Hands down. Brilliant. Her story? She had a graduate degree from a top tier school and turned down a job with some big company. She went to LA, said she was going to be an actress. She wasn't getting auditions, so she started writing her own films.
He didn't see anything." She rolled to her feet. "I was in your bed! We could have scarred him for life!" "Grace, we weren't doing anything. Well, I wasn't. You were snoring." "I don't--" She smoothed her dress down and searched out her sandals, shoving her feet into them. She glanced at herself in the mirror over his dresser and groaned. Hair, wild. Lips, swollen. Face, flushed. Nipples, hard. "Dammit!" She clapped her hands over them. "It's like they're broken!
Charlie had Sophie strapped to his chest like a terrorist baby bomb when he came down the back steps. She had just gotten to the point where she could hold up her head, so he had strapped her in face-out so she could look around. The way her arms and legs waved around as Charlie walked, she looked as if she was skydiving and using a skinny nerd as a parachute.
Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.
Holding her gaze, he closed the final distance between them and went down to his knees, that beautiful bruised face looking up at her.
Beauty does not lie in the face. It lies in the harmony between a person and his or her industry. Beauty is expression. When I paint a mother I try to render her beautiful by the mere look she gives her child.
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