A Quote by Melina Marchetta

Do you want to know something about tyrants? When faced with death, they weep and they beg just like the rest of us. — © Melina Marchetta
Do you want to know something about tyrants? When faced with death, they weep and they beg just like the rest of us.
Death - Death can be faced, dealt with, adjusted to, outlived. It's the not knowing that destroys interminably... This being suspended in suspense; waiting - weightless, How does one face the faceless, adjust to nothing? Waiting implies something to wait for. Is there? There is One. One who knows... I rest my soul on that.
Especially for those of us living in the Western culture, death to a large extent is still a taboo subject. It's considered something dreadful that shouldn't be happening. It's usually denied. The fact of death is not faced. What we don't realize in Western culture is that death has a redemptive dimension.
And there is something great about knowing that my only job is to be as happy as I can be about my life, and feel as good as I can about myself, and to lead as full and eventful a life as I can, so that it doesn’t ever feel like I’m just waiting around for some guy to ask me out. And most importantly, it’s good for us all to remember that we don’t need to scheme and plot and beg to get someone to ask us out. We’re fantastic.
Why talk about what we want? That is childish. Absurd. Of course, you are interested in what you want. You are eternally interested in it. But no one else is. The rest of us are just like you: we are interested in what we want.
The first thing I would like to tell you about death is that there is no bigger lie than death. And yet, death appears to be true. It not only appears to be true but also seems like the cardinal truth of life - it appears as if the whole of life is surrounded by death. Whether we forget about it, or become oblivious to it, everywhere death remains close to us. Death is even closer to us than our own shadow.
When you're faced with something for the first time, and if you're scared to death of that, you might want to reconcile your life beforehand.
To begin depriving death of its greatest advantage over us, let us adopt a way clean contrary to that common one; let us deprive death of its strangeness, let us frequent it, let us get used to it; let us have nothing more often in mind than death... We do not know where death awaits us: so let us wait for it everywhere." "To practice death is to practice freedom. A man who has learned how to die has unlearned how to be a slave.
Since the death instinct exists in the heart of everything that lives, since we suffer from trying to repress it, since everything that lives longs for rest, let us unfasten the ties that bind us to life, let us cultivate our death wish, let us develop it, water it like a plant, let it grow unhindered. Suffering and fear are born from the repression of the death wish.
Did I pray for death? I did one time. I wanted to die so badly. And I didn't want to die. I wanted to rest, you know. And I knew the only rest I would find is in death.
For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.
The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.
There's something paralyzing about being a writer that you have to escape. I don't want to think of myself as a guy who's written a bunch of books. The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
If we are to be the last of the White men who conquered the world; if we are finally to be overwhelmed by a pack of rats, let us at least face the death of our race as our ancestors faced their death - like man. Let us not crawl down amongst the rats begging for mercy or trying to out-sneak them and pretend to be rats ourselves!
So many of us don't know what we want; we just know we don't want what we have. We spend 99% of the time talking about how bad it is, but only 1% of the time talking about how we can do something about it.
When I'm rapping, like, a turn up song, I'm thinking about what the people want to hear; this is what they're going to like. When I'm singing, I'm, like, telling my story. I'm not worried if people like it; I'm just trying to be truthful, you know what I'm saying? I'm just talking about something that happened to me.
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