A Quote by Melina Marchetta
You list the dead. You tell the stories of the past. You write about the catastrophes and the massacres. What about the living, Finnikin? Who honors them?
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It is so much easier to deal with the dead than with the living. The dead are out of the way, merely characters from stories about the past, never again unreadable, no misunderstandings possible, the pain coming from them stable and manageable. nor do you have to explain yourself to them, to justify the fact of your life.
We worry about the seemingly ever-increasing number of natural catastrophes. Yet this is mainly a consequence of CNN - we see many more, but the number is roughly constant, and we manage to deal much better with them over time. Globally, the death rate from catastrophes has dropped about fifty-fold over the past century.
History is not the past. It is the stories we tell about the past. How we tell these stories - triumphantly or self-critically, metaphysically or dialectally - has a lot to do with whether we cut short or advance our evolution as human beings.
You've been quiet these past days," Trevanion said. "Are you going to tell me what the...exchange of words was about?" "Who said there was an exchange of words?" Finnikin asked with irritation. "When a woman says 'I hope you fall under your horse' and 'catch your death, then see if I grieve you,'" Perri said, "then there's been an exchange of words." Finnikin glared at him. "In my humble opinion.
Something amazing happens when you tell people you write about sports for a living. You begin to feel like you're in a scene from 'Dawn of the Dead.' The way people change when talking about 'their team' can be nothing short of zombiefication.
Tell me the truth about death. I don't know what it is. We have them, then they are gone but they stay in our minds. Their stories are part of us as long as we live and as long as we tell them or write them down.
Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
That's what sons do: write to their mothers about recall, tell themselves about the past until they come to realize that they are the past.
The stories we tell each other and the stories we tell about heroism, about magic, about faith - those things say a lot about who we are and the kind of lessons that we wanna convey to our children.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
When it comes to heartbreaks and disappointments, I often have to be more or less done with them to be able to write about them. Then you might ask why I would write about them at all, but I think I owe it to the Jens of the past.
The past doesn’t exist except as a memory, a mental story, and though past events aren’t changeable, your stories about them are. You can act now to transform the way you tell the story of your past, ultimately making it a stalwart protector of your future.
I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
Offerings to propitiate the dead then were regarded as belonging to the class of funeral sacrifices, and these are idolatry. Idolatry, in fact, is a sort of homage to the departed, the one as well as the other is a service to dead men. Moreover, demons dwell in the images of the dead. ... this sort of exhibition has passed from honors of the dead to honors of the living; I mean, to quaestorships [financial overseers]and magistractes, to priestly offices of different kinds. Yet, since idolatry still cleaves to the dignity's name, whatever is done in its name partakes of its impurity.
Someone asked me, 'Do you pray for the dead?' I said, 'No, I preach to them! I think every pew in every church is death row. Think about that! They're dead! They sing about God; they talk about God, but they're dead! They have no living relationship (with God).
I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.
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