A Quote by Melina Marchetta
It still amazes him how they could have been misled by her personality in Year Eleven. It's what depression does to a person, it changes them completely.
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It was as if personality itself had a 'face'. This non-physical face of personality seemed to be the real key to personality change. It remained scarred, distorted, 'ugly' or inferior the person himself acted out this role in his behaviour regardless of the changes in physical appearance. If this 'face of personality' could be reconstructed, if old emotional scars could be removed, then the person himself changed, even without facial plastic surgery.
A single smile from her could make his entire being burn. One touch from her hand and he was undone. It was terrifying to think of how much power this one person had over him. How one single gesture from her could affect him so profoundly. (Sin thinking about Kat)
Because depression is so thematically powerful and so dark, when it's very severe, it can make people feel not only as if they've lost a loving connection, but as if the whole world is devoid of love. So if we wonder how somebody could take 149 people with him when he commits suicide, one answer can be that depression, when it's most severe, can make people feel that life is completely without value, not just for them but for anyone.
A part of her wanted to tell him she still loved him, and that even though this love was hopeless and long over, it still consumed her year after year. It was a tangled hairball of feelings and she couldn't pull forth any one strand.
He was waving. "Saukerl," she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that's as close to love as eleven-year-olds can get.
Kazuhiko could have taken his gun and aimed it at the person behind them. But Sakura wouldn't want that. What she wanted was to leave this world quietly before they got sucked into this horrible massacre. Nothing was more important to him than her. There was no room for compromise. If this were what her trembling soul wanted, then he would follow her. Had he been more eloquent he might have described his feelings as something like, "I'm going to die for her honor." Their two bodies danced in the air beyond the cliff, their hands still clasped together, the black sea under them.
He couldn't say it. He couldn't tell her how much she had come to mean to him. She could destroy him with her rejection. If she had feigned her feelings for him - if he'd bought into her lies and her quest for freedom... He wasn't sure what he would do. He could hurt her.
I didn't write about my mother much in the third year after she died. I was still trying to get my argument straight: When her friends or our relatives wondered why I was still so hard on her, I could really lay out the case for what it had been like to be raised by someone who had loathed herself, her husband, even her own name.
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
You're so kind, Kazuhiko. That's what I like about you." I like you, too. I love you so much." If he weren't so inarticulate, Kazuhiko could have said so much more. How much her expression, her gentle manner, her pure untainted soul meant to him. How important, in short, her existence was to him. But he wasn't able to put into words. He was only a third-year student in junior high, and worst yet, composition was one of his worst subjects.
The French verb aimer has two meanings. And that’s why he liked her, and loved her. She spoke to him in a language that, no matter how hard you studied it, could not be completely understood.
Faris turned on him. "Why choose to wear black today, of all days? I know why I'm in black. Why are you? Mourning? He looked startled. "One does not wear mourning for a servant." You still don't understand, do you? He was not my servant." He regarded her anger, aghast. "What then? What else could he be? Her empty hands shook as she held them out to him. Her voice shook as she replied, "Glove to my hand." Slowly she closed her fists. "Everything.
If he looked into her face, he would see those haunted, loving eyes. The hauntedness would irritate him - the love would move him to fury. How dare she love him? Hadn't she any sense at all? What was he supposed to do about that? Return it? How? What could his calloused hands produce to make her smile? What of his knowledge of the world and of life could be useful to her? What could his heavy arms and befuddled brain accomplish that would earn him his own respect, that would in turn allow him to accept her love?
By the English common law, her husband was her lord and master. He had the custody of her person, and of her minor children. He could 'punish her with astick no bigger than his thumb,' and she could not complain against him.
The academic teaching on beauty is false. We have been misled, but so completely misled that we can no longer find so much as a shadow of a truth again. The beauties of the Parthenon, the Venuses, the Nymphs, the Narcisusses, are so may lies. Art is not the application of a canon of beauty, but what the instinct and the brain can conceive independently of that canon.
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