A Quote by Melina Marchetta
Come here,” she says. “No, you come here.” “I said it first.” “Rock paper scissors.” “No. Because you’ll do nerdy calculations and work out what I chose the last six times and then you’ll win.” Will pushes away from the table and his hand snakes out and he pulls her toward him and Tom figures that Will was always going to go to her first.
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She could have dropped you both off. whar's the worst she can do? cry hysterically?"the gears on the ute get stuck at the lights and will pushes tom's hand out of the way and and shoves it into the correct gear."it wasn't her" he mutters after a moment."sorry?" tom says."she didn't cry""then what?"it's too quiet except for the quiet for the crap engine sounding like a lawn mower."i cried"luca bursts out laughing beside will."yeah, well i did" will says. "And it's not the thing you want to do in front of a bunch on engineers.
If you don’t need my backsight,” she said to Kaleb, “then why am I here?” He rose to his feet and, placing his hands on the table, leaned toward her until she could’ve reached out and run her fingers along his freshly shaven jaw. “You are here,” he said in a tone that made her heart thump wildly against her ribs, “because you belong to me.
In rock, paper, scissors the key is, and this is the best piece of advice that I can give you, if you do think that you recognize the pattern from your opponent, it's good to try to throw a tie as opposed to a win. A tie will very often get you a tie or a win, whereas a win will get you a win or a loss. For example, if you think that someone might throw a rock, it's good to throw rock back at them. You should be going for ties. That's actually a really good strategy to win at rock, paper, scissors. There's my rock, paper, scissors advice for you.
I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.
Once, she made a boy come out of his house and kiss her under the streetlight. It was her first kiss. She thinks it was probably his, too. She never told him and she never, ever will.
"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall."
I had to come out to my mother three times over a twelve-year period, but I first came out to her when I was sixteen. It didn't go over so well, because I grew up in the Pentecostal Church. It was a very strict environment. She has since done a lot of work and has really blown my mind. She has learned about my life and has changed her mind.
We can take it slow," he said. "You can learn to be with me. Find out what I'm all about. You never know, you might like what you find." "Don't hold your breath," she said. He stepped toward her casually, amusement flickering around his lips. She tensed, her eyes checking for a way to run. "Or..." His hand lashed out, grabbed her, and whipped her into his arms, where he held her tight. "We can take it fast and rough.
His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song.I love you, Kami told him, and cut.
I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."
To win a woman in the first place you must please her, then undress her, and then somehow get her clothes back on her, finally, so that she will let you leave her, you've got to antagonise her.
For a split second longer she stood motionless. Then, somehow, she had caught at the front of his shirt and pulled him toward her. His arms went around her, lifting her almost out of her sandals, and then he was kissing her—or she was kissing him, she wasn’t sure, and it didn’t matter. The feel of his mouth on hers was electric; her hands gripped his arms, pulling him hard against her. The feel of his heart pounding through his shirt made her dizzy with joy. No one else’s heart beat like Jace’s did, or ever could.
What did you say to the messanger mi'lady? Do you remember the exact words of your last proposal?" "I probably said, "Will you marry me?" Connor smiled. He pulled her toward him, lowered his head and kissed her just long enough to stun her. He lifted his head then, looked into her eyes, and finally spoke to her. "Yes Brenna. I will marry you.
And you, Ringbearer' she said, turning to Frodo. 'I come to you last who are not last in my thoughts. For you I have prepared this.' She held up a small crystal phial: it glittered as she moved it and rays of white light sprang from her hand. 'In this phial,' she said,' is caught the light of Earendil's star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful.
Will only looked at her. There had been light in his eyes on the stairs, as he'd locked the door, when he'd kissed her--a brilliant, joyous light. And it was going now, fading like the last breath of someone dying. She thought of Nate, bleeding to death in her arms. She had been powerless then, to help him. As she was now. She felt as if she were watching the life bleed out of Will Herondale, and there was nothing she could do to stop it.
No woman has the right to marry a man if she has to bend herself out of shape for him. She might wish to, but she could never be to him with all her passionate endeavor what the other woman could be to him without trying. Character will dominate over all and will come out at last.
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