A Quote by Melissa Bank
It scares me. But then I get this big feeling, simple but exalted: He's like me, just with different details.
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What gets yme excited about a project and character is the director, the script, who's involved in the movie, and the character. Those are pretty much the essentials. If it's something different, if it scares me, in a way, if it will stretch me or push me into certain places that I haven't been to, then I like that. If you're just trying to talk yourself into it, then it's probably not for you. It's hard to be selective.
What scares me? I kind of believe in ghosts. I believe they can wander around, so that scares me. But the stuff that really scares me are the catastrophic events like my husband or children or my family being harmed, or something like that.
What scares me? Oh, now that's a big question. I don't know what scares me - cockroaches, nuclear apocalypse. Fear is an interesting thing. It has a place in all of our lives. I try to be as fearless as possible. I don't always succeed, but I like to think I try.
I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
When I won the first Grammy, there was no other feeling like that feeling. It just made me feel like I came so far, like that was just a dream a few years before that, and then it was happening right then.
I loved the city, so the feeling in 2001 [election] first was shock, then (I was) nervous, then scared but then it's - I really wasn't happy and ecstatic like I thought I (would be). I was immediately hit with the enormity of the responsibility and the fact that most people in that town - particularly those that voted for me were placing their hopes and dreams in me. That is a big, big stressful place to be.
I also just get so ecstatic hearing and feeling the noise in general and it still makes me giggle inside playing certain sounds. One of the downsides is that in order to produce certain sounds, I'm totally using my arms the wrong way and sometimes that worries me. But then that physical strain puts me in a different state of mind to bring out different dimensions in the music, I suppose.
When we kind of get caught up in the minutiae, the details that make us all different, I think there's two ways of seeing that. There's an opportunity to see the texture of that person, the characteristics that make them unique. And then there's an opportunity to go to war about it and to say that that person is different from me and I don't like you, so let's battle.
I'm always just very nervous. I never feel like, 'I've got this'. I'm always very nervous and aware of how quickly people can hate you and that scares me. I never feel like I'm on top of it or I know what I'm doing... so, no. I never get a big head, I just get more and more anxious.
You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.
For me, the slower burn is a deeper and more effective scare. But I only like those kinds of scares when they're really earned. I don't like false scares.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
I like it when a movie scares the s - t out of me. That, for me, is just the best.
Creativity hits me like a lightning bolt. For two weeks ideas overflow and spill from me, before a period of nothing. The prospect of it suddenly just leaving me one day scares me. I'm terrified that every song I write might be my last.
If something scares me then I feel like I have to do it.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
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