A Quote by Melissa Benoist
I fell in love with 19th-century Russian plays.
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I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
I love 19th-century Russian literature, the avant garde, the Soviet period.
I'd love to have a 19th Century Russian book club where all the members had to act like the pretentious minor noblemen they were reading about.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
I hadn't planned on going to law school. I wanted to study 19th-century Russian literature.
Putin wants to reestablish Russian greatness, not as the Cold War, but in 19th century empire terms.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
The 19th century was a century of empires, the 20th century was a century of nation states. The 21st century will be a century of cities.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
In the 19th century it was basically nationality and people trying to define their nationalism and create states which would reflect their nationalism. In the 20th century, ideology came to the fore, largely, but not exclusively, as a result of the Russian Revolution and we have fascism, communism and liberal democracy competing with each other. Well that's pretty much over.
If the 19th [century] was the century of the individual (liberalism means individualism), you may consider that this is the "collective" century, and therefore the century of the state.
Its highest point was The Worst Journey in the World. Then you see this decline, and this harking back, using the 19th-century form when we're not in the 19th century. That way of writing a book about the world out there - you just can't do it anymore.
The 19th century was the century of empires, the 20th was the century of nation states, and the 21st is the century of cities and mayors.
The democratic ideal has always been related to a moderate level of inequality. I think one big reason why electoral democracy flourished in 19th century America better than 19th century Europe is because you had more equal distribution of wealth in America.
Typical horror movies of the 1930s were often given a period setting in what looked like a kind of stylized 19th century... the sense of 'elsewhen', of distance, lent to many of these movies by their settings. They exist, as it were, in a 19th century of the mind.
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