A Quote by Melissa Brown

In every landscape should reside jewels of abstract art waiting to be discovered. — © Melissa Brown
In every landscape should reside jewels of abstract art waiting to be discovered.
There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.
The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history.
I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"
We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.
The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and more exclusive - non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. the only and one way to say what abstract art or art-as-art is, is to say what it is not.
You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.
The values that reside in art are anarchic, they are every man's loves and hates and his momentary divine revelation.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.
I've discovered that every time I've reached a milestone I think I'm there, but there's another there waiting for me.
That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
Historically, art has always had a market. When one medieval fiefdom defeated another they would drag back its jewels, gold, tapestries and art objects as the spoils of war. Art equaled power, riches and culture.
A work of art in paint should be beautiful and expressive as abstract colour and form and should not interest us necessarily in any 'story' outside of itself - or else it belongs to the field of illustration.
In pitch dark I go walking in your landscape Broken branches Trip me as I speak Just 'cause you feel it Doesn't mean it's there... We are accidents waiting Waiting to happen.
Every art critic and every writer doesn't have a frame to start off from. If I made a statement saying, "This is Abstract Expressionism," they could go, "Well, he failed miserably," or, "Fantastic, this is a new genius!" But in art history, I don't see any of the artists I like spewing bullshit. I don't see anyone recording it or pronouncing what they were doing.
One of the things I like about music is it's an abstract art, totally abstract, where you can convey an emotion, which I find amazing.
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