A Quote by Melissa Etheridge

I saw you with your envoy A consenting adult Technique in moderation But vogue to the cult Me I've got my strangers To exile in the night I guess I'm just addicted To the pain of delight
Keep to the middle if you wish to keep moderation. The mid way is the safe way. Moderation abides in the mean, and moderation is virtue. Every abiding place outside the bounds of moderation is only exile to the wise man.
That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
I never considered myself as somebody in exile because, different to my father who, yes, was in exile because he left Haiti as an adult, for me it was just to be somewhere else. I carried Haiti with me everywhere, but I also carried, you know, my youth in a public school in Brooklyn. It's part of who I am as well.
When I was seven, I was allowed to be an extra in 'Parenthood,' which was amazing. But then I kind of got addicted to it, and my parents didn't want me to want to act. They felt that would be putting your kid in an adult world.
I was on drugs when I wrote some of my songs. It was a rough time for me, but I'm lucky enough to be one of the people who learned from that experience and moved on, where other people just got addicted and more addicted and more addicted until it killed them.
Every addiction arises from an unconscious refusal to face and move through your own pain. Every addiction starts with pain and ends with pain. Whatever the substance you are addicted to - alcohol, food, legal or illegal drugs, or a person - you are using something or somebody to cover up your pain.
surrounded by strangers who love me (un)strangers made strange by pain
I saw your name in lights last night. It's the middle of the night, and I can't sleep, thinking all my trumpeting thoughts, and I get out of bed, open the curtains, and look into the night full of stars, and you know what I saw? Your name. Like the stars joined up and spelled the word for me. Like a sign.
Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
It having been a very cold night last night I had got some cold, and so in pain by wind, and a sure precursor of pain is sudden letting off farts, and when that stops, then my passages stop and my pain begins
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
There are too many of us, he thought. There are billions of us and that's too many. Nobody knows anyone. Strangers come and violate you. Strangers come and cut your heart out. Strangers come and take your blood. Good God, who were those men? I never saw them before in my life!
I got my first whiff of what big-time adult literature was all about when I was in 8th grade. I got it from Mark Linn-Baker. You know - the guy from 'Perfect Strangers.'
'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!'
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