When you grow up in one town and your life revolves around it, you are very aware of any darkness on the edge of town. That's because it's scary and it's inviting.
I was born in a very small town in North Dakota, a town of only about 350 people. I lived there until I was 13. It was a marvelous advantage to grow up in a small town where you knew everybody.
'Darkness on the Edge of Town' came out of a huge body of work that had tons of very happy songs.
If you look at any sitcom that you watch, if it takes place in, say, a small town in Massachusetts, and it's about the dynamics of the people in that town, the showrunner probably grew up in a town like that, witnessed things, and created content.
When you're growing up in a small town
You know you'll grow down in a small town
There is only one good use for a small town
You hate it and you know you'll have to leave.
There's a major underlying idea as you grow up that you need to just save your money and get that affordable housing at the edge of town where you're away from the city where all the crime happens or whatever.
It's weird because I grew up in this town, so the things I really dug, I was constantly around them. Like Alyssa Milano - I had the biggest crush on her from TV, but I also saw her around town at parties. It's just funny.
I get this anxiety in cities and places like that. When you grow up in kind of a small town and when you grow up around a lot of green and trees and nature and that sort of thing, sometimes I think it's a little mentally disconcerting to be around this concrete.
When you go off in the world and make your life, and you come back to your home town, and you find your old high-school friends driving in the same circles, doing the same things, that's what Hollywood's like. It's a little block, little town. It doesn't really grow or change.
All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.
I love moving around from town to town. I never got on a train in my life without my spirits rising.
It's difficult when you travel around America to get local food; it used to be very easy. You went from town to town and were more in touch with things.
Well, I came from a small little town on the beach - Grayland, a town of about 1,000 people. I was the quarterback and a basketball player at Ocosta High School. It was a great community to grow up in.
Because we lived only a mile outside the town of Mayfield, I was acutely conscious of being country. I felt inferior to people in town because we had to grow our food and make our clothes.
Growing up I played piano and I sang at a lot of weddings; I grew up in a very small town, a little coal-mining town in Virginia called Grundy. And my family was very sing-songy at home.
I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.
From as early as I can remember, I wanted to have something to do with the acting business. I was a TV junkie as a kid and I think, because I grew up in a small town where I couldn't imagine myself staying there and couldn't see myself being any of the people that I was surrounded by in this town, I just knew that I wanted a different kind of a life, but I didn't know what that meant and I didn't know how.