A Quote by Melissa Febos
New York at night, from its bridges, is a miracle. When I first came to the city, it took all my fantasies and set them on fire, turned them into flickering constellations of light.
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There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
The fact that the infrastructure is falling apart is not necessarily because it's built poorly. The New York City subways were built in 1903. The fact that they're still running at all is an enormous success. The fact that New York City's bridges have held up as long as they have is extraordinary, and the engineers didn't have computers to tell them about tolerance. They overbuilt these things - traffic on them is like an ant on an elephant.
The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?
I don't know why, but the warmth and the comfort of flickering light help. And a fire, in the fireplace or on the beach, is very comforting. I think when you make something consistent and familiar, it helps. I light candles every single night in my home.
According to the Rand McNally Places-Rated Almanac, the best place to
live in America is the city of Pittsburgh. The city of New York came
in twenty-fifth. Here in New York we really don't care too much.
Because we know that we could beat up their city anytime.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.
The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.
Those who first invented and then named the constellations were storytellers. Tracing an imaginary line between a cluster of stars gave them an image and an identity. The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
I must say this now about that first fire. It was magic. Out of dead tinder and grass and sticks came a live warm light. It cracked and snapped and smoked and filled the woods with brightness. It lighted the trees and made them warm and friendly. It stood tall and bright and held back the night.
My parents retired to New York City, and my brother and both of my sisters ended up in New York City. We are all New York City transplants from Pennsylvania.
At night, I love to look in the houses. When I was little, I did that much more, when I was so bored. It might be awful in those houses, of course, but I still speculate about them in a romantic way. It's the same if you are famous: you are in the light, and most people have fantasies about you, but these fantasies have nothing to do with reality.
I wouldn't say that a big family is for everybody, and I've brought my kids, for example, to New York City, and I can tell you it's much harder to raise that number of kids in a city like New York than it is to raise them in rural Wisconsin where I live.
At the ballet classes I took when I first came to New York, I would see great dancers like Cynthia Gregory and Lupe Serrano. I would look at them and study what they could do, and what I couldn't do. And then I'd think maybe they should try what I could do.
Come on, baby, light my fire.
Try to set the night on fire.
I went through years of unsuccessful fertility treatments, first in my hometown of D.C., then in New York City, where it finally happened - I got pregnant with my son, my miracle boy.
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