A Quote by Melissa Febos

I can still discern people's weaknesses, but it doesn't make me want to exploit them; it makes me want to hug them. — © Melissa Febos
I can still discern people's weaknesses, but it doesn't make me want to exploit them; it makes me want to hug them.
There are all of these people that say, my mommy doesn't love me enough, my daddy doesn't hug me enough. There are some people that would want to coddle them somewhere. I want them to shut up and stop whining.
Women still, when they have breast cancer, go to work; they still lead their lives. They have to. I just did what I was supposed to do. I didn't want to exploit it or be too "actory" about it, if that makes any sense. That's also why I didn't shave my head; I feel like you have to earn that. I applaud other actors who do that and I am not ripping on them, but to me, that's a badge of honor if you're fighting this disease.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
At the end of the day, what people want from me is to get up there on that stage and make them feel powerful and give them a release for an hour and a half or two hours every once in a while. And if I'm still able to do that, hopefully I'm still making people happy.
The rules of the game in general are going to change for everything, not just menswear. People want to have fun with clothes. We sold out of the mirror suits in New York, and the black suits were still there. It tells me that men are looking for something that makes them feel good, makes them have fun, and makes them stand out. And it's all different sorts of men.
I'm very fatalistic about life. Whatever happens, happens. The imperative for me is that I do my contribution for my people, for my culture. I still want to make films for them. I still want to make films that confront our struggles.
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
I am trying to give whatever little fans I have as much information as they want from me. I don't want to come across as arrogant or mean by not telling or giving them what them I want. These are the people who make you a star.
When someone disagrees with me, I do not have to immediately start revising what I just said. People don't want me to always agree with them. They can sense this is phony. They can sense I am trying to control them: I am agreeing with them to make them like me. They feel; "I don't want to exist to like you. I DON'T exist to like you."
I think the show has so many wonderful memories connected to it for lots of people. When fans come to see me at the Andy Griffith Museum they get so emotional. Some of them cry, lots of them hug me and some want a kiss on the cheek.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
It's my life dream to be able to go and continue going to schools and teaching them about stretching and aerobics, cardio and strength training, because I want them to have a better life than I did. I don't want them to grow up to be me. I want them to be healthy. I want them not to go through eating disorders [like me].
I want people to like me - but not at my expense. I just learned that there are too many people who are going to have an opinion about me whether I am kind to them or not. I can't control what they're feeling. I am not a yeller and I don't have a temper, but I do want people to do their best. And if someone is a friend and I see that they're doing stuff that is not helping them grow, I will make it a point to talk to them about it.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
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