"I'm going to show you I haven't given you permission because clearly you're not grown up enough to understand that, not having given you permission, you can't just come look in my house." And I won't know if they're coming and looking or not... so I put a piece of tape over it.
I was asked, "How did you get pictures that look like this?" It doesn't happen today because now everybody has to have permission. But what you're looking at, is the product of somebody who has been given permission to work with raw materials and not be bothered. These are good examples of having carte blanche.
The world needs women who stop asking for permission from the principal. Permission to live their lives as they deeply know they often should. I think we still look to authority figures for validation, recognition, permission.
We all need permission to do science, but for reasons that are deeply ingrained in history, this permission is more often given to men than to women.
People have to be given permission to write, and they have to be given space to breathe and stumble. They have to be given time to develop and to reveal what they can do.
What is it that you're not doing - in your work, in your life - because you feel you need permission? If someone had given you that permission as a youngster, what do you think you'd be doing now?
If, before undertaking some action, you must obtain the permission of society-you are not free, whether such permission is granted to you or not. Only a slave acts on permission. A permission is not a right.
It is important to remember that when it comes to law, computers
never make copies, only human beings make copies. Computers are given
commands, not permission. Only people can be given permission.
I've had so many moments where seeing other women be fully and truly and authentically themselves, and express that, has given me permission. Once you see it happening, you're like, "Oh, I have permission to do that, too."
There's a kind of permission for war which can be given only by the world's mood and atmosphere, the feel of its pulse. It would be madness to undertake a war without that permission.
I saw something in the news, so I copied it. I put a piece of tape - I have obviously a laptop, personal laptop - I put a piece of tape over the camera. Because I saw somebody smarter than I am had a piece of tape over their camera.
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
I think people have to be given - or take - the permission to say that something is nothing. Just because it's in a museum doesn't mean it's anything.
I do, however, have tape over my eyepiece as well. What I think my peace is saying isn't, "Oh I have something to hide. I don't want you to look," it's more saying, "No thank you. I prefer you not look. I'm not giving you permission."
I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
In captivity, one loses every way of acting over little details which satisfy the essentials of life. Everything has to be asked for: permission to go to the toilet, permission to ask a guard something, permission to talk to another hostage - to brush your teeth, use toilet paper, everything is a negotiation.
In Tijuana, because there's such a mix and match of people and regions and we're a newer city and everyone comes from some place else, I think we're just given permission to play with our food.