A Quote by Melissa Leo

That's probably the biggest secret of acting: If the actor believes it themselves, they can make you believe it. — © Melissa Leo
That's probably the biggest secret of acting: If the actor believes it themselves, they can make you believe it.
I believe the gift of acting is a gift from God, my oath to God, and I want to make sure on a daily basis that it is honed and deeply spiritual... I want to believe that the audience believes that my acting comes from this special place.
Acting changed my life. I say God and then acting. Because becoming an actor, I've gained a new respect for humanity. And I believe that it's also helped me to grow as a person. It's been one of the biggest blessings and expressions that I could have ever been gifted with.
While actors play with guns for make-believe, the guns themselves are by no means make-believe; they're real. Even when the actor is using blanks, there are all kinds of safety protocols to follow when shooting one at someone. Pulling the trigger is the easy part.
Acting for me is like a ping-pong game. That's the secret of acting. When you have a really good actor, I always want to be as good as he is or she is.
It's fine to have talent, but talent is the last of it. In an acting career, as in an acting performance, you've got to have vitality. The secret of successful acting is identical with a woman's beauty secret: joy in living.
The secret lies in the actor's personal satisfaction. How can the audience be moved by a character the actor himself does not believe in?
In WWE there's a huge degree of acting you need to have to become legendary, to become popular. You have to become a great actor in WWE and that's something I've honed from a young age. I could never be the biggest guy on the show when I first started wrestling; it was all about the giants. But I could have the biggest personality, the biggest character.
I remember my first actor that I really, really fell in love with was Tom Hanks. I suppose when I was growing up and getting more serious about acting, at that point, he was the biggest actor in the world.
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
Having children has helped me become a better actor because they remind you to play make believe. It's the ease and naturalness of their beings. They just play and it's completely real for them at the time. As an actor, if we do it well, we make you believe.
You've got to be creative in acting business. But I need people to believe in me first. I've got to make my name as an actor.
Labor believes in sustainability. We believe in acting on climate change, not just talking about it.
The biggest secret about success is that there isn't any big secret about it, or if there is, then it's a secret from me, too. The idea of searching for some secret for trading success misses the point.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
Some people can't believe in themselves until someone else believes in them first.
If the actor believes in the moment, the audience believes in it, too.
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