A Quote by Melissa Leo

'Wayward Pines' has largely been, in my experience, a show left to the actors. — © Melissa Leo
'Wayward Pines' has largely been, in my experience, a show left to the actors.
Wayward Pines, I tell you, is a strange place, and the entry is always the hardest part. I was just going along for the ride.
I'm interested in what the fans think, in what would make them feel connected to the Wayward Pines they had grown to love. I had a lot of fun thinking about the first season.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
Going to Santa Fe is like going to Greece. It's not that special compared to other areas. The pinon pines are no different than pinon pines elsewhere. But there has been culture there longer than in most places, and you feel it.
For pines are gossip pines the wide world through And full of runic tales to sigh or sing.
We have so much left to experience and learn about each other - it's almost like we've been remarried with the show being over. Now it's a whole new life for us.
One of the capabilities, which seems to be the most difficult for aspiring leaders to maste is realistic optimism. It requires one to recognize that our experience of life is largely up to us, that our situations, good or bad, are largely due to our ability on a moment-to-moment basis to capitalize on opportunity. Those that approach life as if it is largely outside of their own control, or that others are largely to blame for their circumstances, generally find growth elusive.
Ideally, you have a company of actors who care more about the product than they do about themselves. In my experience, actors who believe the opposite - that they are the people who matter rather than the show - are rare in the extreme.
Many people have come and left, and it has been always good because they emptied some space for better people. It is a strange experience, that those who have left me have always left places for a better quality of people. I have never been a loser.
What is to be done with people who can't read a Sunday paper without messing it all up?... Show me a Sunday paper which has been left in a condition fit only for kite flying, and I will show you an antisocial and dangerous character who has left it that way.
Experience has taught me that the Shepherd is far more willing to show His sheep the path than the sheep are to follow. He is endlessly merciful, patient, tender, and loving. If we, His stupid and wayward sheep, really want to be led, we will without fail be led. Of that I am sure.
Writing poetry is such an intense experience that it helps to start the process in a casual or wayward frame of mind.
You're often looking at writing from writers who, for the most part, are working in forms that traditionally fit into other genres. But sometimes, in the midst of their better-known stuff, there's this wayward thing, and because it's wayward it isn't considered representative of their work, so it falls through the cracks.
Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.
People want a remarkable experience; it's what they'll talk about, largely because the bar has been set so low by so many companies.
Unilateral sanctions on Cuba have been oppressive and largely ineffective, and that's why the public largely supports lifting them.
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